MARC Record from harvard_bibliographic_metadata

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008 091013s2010 mauaf b 001 0 eng
010 $a 2009042901
015 $aGBB078015$2bnb
016 7 $a015588775$2Uk
020 $a9780262014212 (hardcover : alk. paper)
020 $a0262014211 (hardcover : alk. paper)
035 0 $aocn458583162
040 $aDLC$cDLC$dYDXCP$dUKM$dC#P$dBWX$dCDX
050 00 $aNX456.5.N49$bM37 2010
082 00 $a704/.088297$222
100 1 $aMarks, Laura U.,$d1963-
245 10 $aEnfoldment and infinity :$ban Islamic genealogy of new media art /$cLaura U. Marks.
260 $aCambridge, Mass. :$bMIT Press,$cc2010.
300 $ax, 395 p., [16] p. of plates :$bill. (some col.) ;$c24 cm.
490 1 $aLeonardo
504 $aIncludes bibliographical references and index.
505 0 $aGetting things unfolded -- Islamic aesthetics and new media art: points of contact -- The haptic transfer and the travels of the abstract line, part I -- The haptic transfer and the travels of the abstract line, part II -- The haptic transfer and the travels of the abstract line, part III -- Baghdad, 830: birth of the algorithm -- Baghdad, 1000: origin of the pixel -- Cairo, 972: ancestor of the morph -- Herat, 1487: early virtual reality -- Karabagh, 1700: seeds of artificial life.
650 0 $aNew media art.
650 0 $aIslam and art.
650 0 $aAesthetics, Arab.
776 08 $iOnline version:$aMarks, Laura U., 1963-$tEnfoldment and infinity.$dCambridge, Mass. : MIT Press, ©2010$w(OCoLC)742620829
830 0 $aLeonardo (Series) (Cambridge, Mass.)
988 $a20100927
906 $0DLC