| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:505769199:1756 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:505769199:1756?format=raw |
LEADER: 01756cam a2200373 a 4500
001 012643882-X
005 20131113062117.0
008 100419s2011 inua bq 001 0 eng
010 $a 2010015343
015 $aGBB083416$2bnb
016 7 $a015600114$2Uk
020 $a9780253355461 (cloth : alk. paper)
020 $a025335546X (cloth : alk. paper)
020 $a9780253222527 (pbk. : alk. paper)
020 $a0253222524 (pbk. : alk. paper)
035 0 $aocn491950917
035 $a(PromptCat)40018673650
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dUKM
050 00 $aPN1995.7$b.K47 2011
082 00 $a791.4302/4$222
100 1 $aKerins, Mark.
245 10 $aBeyond Dolby (stereo) :$bcinema in the digital sound age /$cMark Kerins.
260 $aBloomington :$bIndiana University Press,$cc2011.
300 $aix, 378 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references, filmography and index.
505 0 $aIntroduction -- Production and style. Cinema's hidden multi-channel history and the origins of digital surround -- The sound of 5.1 : aural aesthetics -- The look of 5.1 : visual aesthetics -- Decoding the digital surround style -- Using the digital surround style -- Analysis. Studying multi-channel soundtracks -- Studying image/sound interactions -- Theory. Body and voice -- Apparatus theory -- The real and the symbolic -- Conclusion : media and media studies in the digital surround age.
650 0 $aSound motion pictures.
650 0 $aSound$xRecording and reproduction$xDigital technique.
650 0 $aComputer sound processing.
650 0 $aSound$xRecording and reproducing$xDigital techniques.
730 0 $aProject Muse UPCC books$5net
899 $a415_565471
988 $a20101220
906 $0DLC