| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:511589897:1688 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:511589897:1688?format=raw |
LEADER: 01688cam a2200337 a 4500
001 012648845-2
005 20131113060636.0
008 100426s2010 inua bq s001 0 eng
010 $a 2010017294
015 $aGBB095025$2bnb
016 7 $a015623326$2Uk
020 $a9780253355560 (cloth : alk. paper)
020 $a0253355567 (cloth : alk. paper)
020 $a9780253222602 (pbk. : alk. paper)
020 $a0253222605 (pbk. : alk. paper)
035 0 $aocn609872186
040 $aDLC$cDLC$dYDX$dYDXCP$dUKM$dOLC$dCDX
050 00 $aPN1995.9.D6$bN539 2010
082 00 $a070.1/8$222
100 1 $aNichols, Bill,$d1942-
245 10 $aIntroduction to documentary /$cBill Nichols.
250 $a2nd ed.
260 $aBloomington :$bIndiana University Press,$c2010.
300 $axviii, 341 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references, filmography and index.
505 0 $aIntroduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentary films a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentaries? categories, models, and the expository and poetic modes of documentary film -- How can we describe the observational, participatory, reflexive, and performative modes of documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary?
650 0 $aDocumentary films$xHistory and criticism.
730 0 $aProject Muse UPCC books$5net
899 $a415_565471
988 $a20110503
906 $0DLC