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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:519643963:1598
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:519643963:1598?format=raw

LEADER: 01598cam a2200397Ia 4500
001 012655367-X
005 20120712113353.0
006 m|||| ||u| ||||||
008 101029s2010 gw a bm 000 0 ger d
016 7 $a998763950$2DE-101
020 $a9783940255082 (pbk.)
020 $a3940255084 (pbk.)
020 $a9783940255099 (CD : pbk.)
020 $a3940255092 (CD : pbk.)
035 0 $aocn676738864
040 $aOHX$cOHX$dSTF$dZCU
050 4 $aML410.S858$bM69 2010
072 7 $aML$2lcco
100 1 $aMowitz, Michael,$d1972-
245 14 $aDie Form der Klänge :$bStockhausens Konzeption einer einheitlichen musikalischen Zeit am Beispiel der Komposition "Kontakte" /$cMichael Mowitz.
260 $aOsnabrück :$bElectronic Publishing,$c2010.
300 $a301 p. :$bill. ;$c24 cm. +$e1 CD-ROM.
490 1 $aEpos Music
490 1 $aOsnabrücker Beiträge zur systematischen Musikwissenschaft ;$vBd. 17
500 $aAccompanying CD-ROM contains electronic version of the text.
502 $aThesis (doctoral) - Universität, Halle-Wittenberg, 2008.
504 $aIncludes bibliographical references (p. [235]-243).
538 $aSystem requirements: Windows or Macintosh operating system ; CD-ROM drive.
600 10 $aStockhausen, Karlheinz,$d1928-2007.$tKontakte.
600 10 $aStockhausen, Karlheinz,$d1928-2007$xCriticism and interpretation.
650 0 $aElectronic music$xAnalysis, appreciation.
830 0 $aEpos Music.
830 0 $aOsnabrücker Beiträge zur systematischen Musikwissenschaft ;$vBd. 17.
988 $a20110113
049 $aHMUU
906 $0OCLC