Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:525519465:2133 |
Source | harvard_bibliographic_metadata |
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LEADER: 02133cam a2200421 a 4500
001 012660147-X
005 20131113060725.0
008 100510s2010 maua b s001 0 eng
010 $a 2010018923
020 $a9781558498303 (library cloth : alk. paper)
020 $a1558498303 (library cloth : alk. paper)
020 $a9781558498310 (pbk. : alk. paper)
020 $a1558498311 (pbk. : alk. paper)
035 0 $aocn475454203
035 $a(PromptCat)40018784972
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dCDX
043 $an-us---
050 00 $aPS153.N5$bT455 2010
082 00 $a810.9/896073$222
100 1 $aThaggert, Miriam.
245 10 $aImages of Black modernism :$bverbal and visual strategies of the Harlem Renaissance /$cMiriam Thaggert.
260 $aAmherst :$bUniversity of Massachusetts Press,$cc2010.
300 $axiii, 248 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: a crisis in Black art and literature -- Tone pictures: James Weldon Johnson's experiment in dialect -- Reading the body: fashion, etiquette, and narrative in Nella Larsen's Passing -- Surface effects: satire, race, and language in George Schuyler's Black no more and "the Negro-art hokum" -- Collectin' Van Vechten: the narrative and visual collections of Carl Van Vechten -- A photographic language: camera lucida and the photography of James Van Der Zee and Aaron Siskind -- Conclusion. remembering Harlem: Wallace Thurman, Alain Locke, and the Metropolitan Museum of Art's "Harlem" exhibition.
650 0 $aAmerican literature$xAfrican American authors$xHistory and criticism.
650 0 $aAfrican Americans in literature.
650 0 $aAfrican Americans in art.
650 0 $aVisual perception in literature.
650 0 $aArt in literature.
650 0 $aAfrican American art$y20th century.
650 0 $aHarlem Renaissance.
650 0 $aAfrican Americans$xIntellectual life$y20th century.
650 0 $aModernism (Literature)$zUnited States.
730 0 $aProject Muse UPCC books$5net
899 $a415_565232
988 $a20110120
906 $0DLC