| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:538249725:1597 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01597nam a2200337Ia 4500
001 012671866-0
005 20110517093035.0
008 110203s2010 enk b 000 0 eng d
020 $a3034304390
020 $a9783034304399
035 0 $aocn657223833
040 $aNyNyMAR$cNyNyMAR
090 $aPR5827.A35$bM37 2010
100 1 $aMarcovitch, Heather,$d1969-
245 14 $aThe art of the pose :$bOscar Wilde's performance theory /$cHeather Marcovitch.
260 $aBern ; c$aNew York :$bPeter Lang,$c2010.
300 $a222 p. ;$c21 cm.
504 $aIncludes bibliographical references (p. 213-222).
505 0 $aIntroduction. Oscar Wilde and performance theory -- Foundations and experiments: Oscar Wilde at Oxford -- Celebrity, caricatures and public performances in the 1880s -- Wilde's performance theory and the critical essays -- Decadent anxiety and negative capabilities : The picture of Dorian Gray and Salome -- The dialectic of persona and stereotypes in the society comedies -- Performance as redemption in De profundis and The ballad of reading Gaol.
600 10 $aWilde, Oscar,$d1854-1900$xCriticism and interpretation.
600 10 $aWilde, Oscar,$d1854-1900$xKnowledge$xPerforming arts.
600 10 $aWilde, Oscar,$d1854-1900$xAesthetics.
600 10 $aWilde, Oscar,$d1854-1900$xPhilosophy.
650 0 $aSelf-presentation in literature.
650 0 $aSelf in literature.
650 0 $aIdentity (Philosophical concept) in literature.
650 0 $aPersona (Psychoanalysis)
650 0 $aImage (Philosophy)
899 $a415_565960
988 $a20110128
906 $0VEN