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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:541549193:3095
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:541549193:3095?format=raw

LEADER: 03095cam a2200349 a 4500
001 012674656-7
005 20110502230816.0
008 100504s2010 nyua b 001 0 eng
010 $a 2010018549
020 $a9781845457495 (alk. paper)
020 $a1845457498 (alk. paper)
035 0 $aocn502029699
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dCDX
043 $ae-fr---$ae-uk---
050 00 $aPN1993.5.F7$bJ34 2010
082 00 $a791.43/750944$222
245 00 $aJe t'aime-- moi non plus :$bFranco-British cinematic relations /$cedited by Lucy Mazdon and Catherine Wheatley.
246 30 $aFranco-British cinematic relations
260 $aNew York :$bBerghahn Books,$c2010.
300 $aviii, 289 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aFranco-British Cinematic Relations: An Overview / Lucy Mazdon -- Industry and Institutions. The Exhibition, Distribution and Reception of French Films in Great Britain during the 1930s / Vincent Porter -- The 'Cinematization' of Sound Cinema in Britain and the Dubbing into French of Hitchcock's Waltzes from Vienna (1934) / Charles O'Brien -- Une Entente Cordiale? A Brief History of the Anglo-French Film Coproduction Agreement, 1965/1979 / Justin Smith -- Channel-crossing Festivals: The Cases of the French Film Festival U.K. and Dinard's Festival du Film Britannique / Cécile Renaud -- The Language of Love? How the French Sold Lady Chatterley's Lover (Back) to British Audiences / Catherine Wheatley -- Reception and Perceptions. Disciplining the Nouvelle Vague: Censoring A Bout de Souffle and Other Early French New Wave Films (1956/1962) / Daniel Biltereyst -- The Reception of the Nouvelle Vague in Britain / Geoffrey Nowell-Smith -- 'New Waves, New Publics?': The Nouvelle Vague, French Stars and British Cinema / Sarah Street -- Mirror Image: French Reflections of British Cinema / Ian Christie -- 'Incredibly French'?: Nation as an Interpretative Context for Extreme Cinema / Melanie Selfe -- British Audiences and 1990s French New Realism: La Vie Rêvuée des Anges as Cinematic Slum Realism / Ingrid Stigsdotter -- Personnel and Performance. 'The Meaning of That French Word Chic': Annabella's Franco-British Stardom / Jonathan Driskell -- 'Those Frenchies Seek Him Everywhere': David Niven in Franco-British Cinematic Relations / Cristina Johnston -- Truffaut in London / Robert Murphy -- Jane Birkin: From English Rose to French Icon / Leila Wimmer -- The French Resistance Through British Eyes : From 'Allo 'Allo! to Charlotte Gray / Ginette Vincendeau -- 'In the Ghetto': Space, Race and Marginalization in French and British 'Urban' Films La Haine and Bullet Boy / Jim Morrissey.
650 0 $aMotion pictures, French$zGreat Britain.
650 0 $aMotion pictures$zFrance$xHistory$y20th century.
650 0 $aMotion pictures, British$zFrance.
650 0 $aMotion pictures$zGreat Britain$xHistory$y20th century.
655 7 $aHistory.$2fast
700 1 $aMazdon, Lucy.
700 1 $aWheatley, Catherine.
899 $a415_565471
988 $a20110503
906 $0DLC