MARC Record from harvard_bibliographic_metadata

LEADER: 02183cam a2200325Ia 4500
001 012676782-3
005 20110204150755.0
008 101031s2011 caua 000 0 eng d
020 $a9781584234289
020 $a1584234288
035 0 $aocn676730985
040 $aBTCTA$beng$cBTCTA$dYDXCP$dEZK
043 $an-us---
050 00 $aN6537.F316$bD45 2011
090 $aN6537.F316$bD45 2011
100 1 $aDeitch, Jeffrey.
245 10 $aMayday :$bthe art of Shepard Fairey /$cJeffrey Deitch, Antonino d'Ambrosio.
260 $aBerkeley, CA :$bGingko Press, in association with Obey Giant,$c2011.
300 $a[168] p. :$bill. (chiefly col.) ;$c31 cm.
505 0 $aGallery space -- Art can change the world / by Jeffrey Deitch -- Works on canvas -- Mayday calling / by Antonino d'Ambrosio -- Works on paper -- Stencils -- Records -- Rubyliths -- Process -- Bombing -- Action/reaciton.
520 $a"The final exhibition before the closing of New York's seminal Deitch Projects, May Day is simultaneously a call for heightened awareness and a celebration of the rebirth embodied in revolutionary movements. May Day presents an evocative collection of paintings from one of the most important artists of our time. Portraits of advocates of the working class and oppressed define the collection. Fairey stakes the claim that artists, musicians and writers such as Joe Strummer, Jean Michel Basquiat and Cornel West all have parts to play in stimulating response to injustice. With energy and urgency befitting the title May Day, Fairey captures the radical spirit of his subjects. Says Fairey, "These people I'm portraying were all revolutionary, in one sense or another. They started out on the margins of culture and ended up changing the mainstream. When we celebrate big steps that were made in the past, it reminds us that big steps can be made in the future."--pub. desc.
600 10 $aFairey, Shepard.
600 10 $aFairey, Shepard$vCatalogs.
600 10 $aFairey, Shepard$xPolitical and social views.
650 0 $aStreet art$zUnited States.
700 1 $aFairey, Shepard.
700 1 $aD'Ambrosio, Antonino.
899 $a415_565082
988 $a20110204
906 $0OCLC