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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:555030569:1396
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:555030569:1396?format=raw

LEADER: 01396cam a2200301 a 4500
001 012689586-4
005 20110215224735.0
008 100518s2011 mau b 001 0 eng
010 $a 2010020603
020 $a9780262014922 (hardcover : alk. paper)
020 $a0262014920 (hardcover : alk. paper)
035 0 $aocn627700926
035 $a(PromptCat)40018910661
040 $aDLC$cDLC$dYDX$dYDXCP$dCDX$dBWX
050 00 $aB945.S6573$bM63 2011
082 00 $a128/.3$222
100 1 $aSinger, Irving.
245 10 $aModes of creativity :$bphilosophical perspectives /$cIrving Singer.
260 $aCambridge, Mass. :$bMIT Press,$cc2011.
300 $axvi, 309 p. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aPrologue : reversing mistakes about creativity -- The creative experience -- The creative process -- Three myths of artistic creativity -- Aesthetic creativity -- Creativity in expression, metaphor, myth -- The prosaic and the absurd in their creative context -- Creativity in practice -- Creativity in science, technology, and mathematics -- Creativity and reality.
650 0 $aPhilosophy.
650 0 $aCreation (Literary, artistic, etc.)
776 08 $iOnline version:$aSinger, Irving.$tModes of creativity.$dCambridge, Mass. : MIT Press, ©2011$z9780262296526$w(OCoLC)768335159
899 $a415_565322
988 $a20110215
906 $0DLC