MARC Record from harvard_bibliographic_metadata

LEADER: 01893cam a2200349Ia 4500
001 012707881-9
005 20110408192650.0
008 100113s2009 stka b 000 0 eng d
015 $aGBB008503$2bnb
016 7 $a015472249$2Uk
020 $a9781906270261
020 $a1906270260
035 0 $aocn498940250
040 $aERASA$cERASA$dNLE$dUKM$dBWK$dBWX$dCLE
043 $ae-uk-st
050 4 $aN6853.P5$bC72 2009
082 04 $a709.04
090 $aN6853.P5$bC72 2009
100 1 $aCox, Neil.
245 10 $aPicasso's 'toys for adults' :$bcubism as surrealism /$cNeil Cox.
260 $a[Edinburgh] :$bNational Galleries of Scotland in association with the University of Edinburgh and Varie,$cc2009.
300 $a47 p. :$bill. (chiefly col.) ;$c22 cm.
500 $a"Watson Gordon lecture 2008."
520 8 $aSummary: This lecture was given by Neil Cox of the University of Essex, one of Britain's leading scholars of Cubism and Surrealism, and a particular authority on Picasso. He concentrates on a single work, Picasso's Head of 1913, and in doing so demonstrates how scrupulous focus can open out challenging perspectives in the work of a great master. Established following the 125th anniversary of the foundation of the Chair of Fine Art at the University of Edinburgh and named after the painter Sir John Watson Gordon, the Watson Gordon Lectures typify the long-standing and positive collaboration between the University of Edinburgh and the National Galleries of Scotland: two partners in the Visual Arts Research Institute in Edinburgh.
504 $aIncludes bibliographical references (p. 43-44).
600 10 $aPicasso, Pablo,$d1881-1973.$tHead.
600 10 $aPicasso, Pablo,$d1881-1973$xCriticism and interpretation.
710 2 $aNational Galleries of Scotland.
710 2 $aUniversity of Edinburgh.
899 $a415_565082
988 $a20110308
906 $0OCLC