Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:585116582:1425 |
Source | harvard_bibliographic_metadata |
Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:585116582:1425?format=raw |
LEADER: 01425cam a2200349Ia 4500
001 012719361-8
005 20110408192932.0
008 110131s2010 nyua 000 0 eng d
010 $a 2010940445
020 $a9780942949056
020 $a0942949056
035 0 $aocn699507747
040 $aEKI$cEKI$dOCL
041 $aeng
050 4 $aND497.Y53$bA4 2010
100 1 $aYiadom-Boakye, Lynette,$d1977-
245 10 $aLynette Yiadom-Boakye :$bAny number of preoccupations /$cLynette Yiadom-Boakye.
246 10 $aAny number of preoccupations
260 $aHarlem, NYC, New York :$bStudio Museum in Harlem,$c2010.
300 $a74 p. :$bcol. ill. ;$c26 cm.
500 $aAn exhibition held from November 11, 2010-March 13, 2011 at The Studio Museum in Harlem.
505 00 $tYiadom-Boakye's black paintings /$rNaomi Beckwith --$tThe subversion of realism : likeness, resemblance and invented lives in Lynette Yaidom-Boakye's post-portrait paintings /$rOkwui Enwezor --$tTreatment for a low-budget television horror with the working title "Dinner with Jeffrey" /$rLynette Yiadom-Boakye.
600 10 $aYiadom-Boakye, Lynette,$d1977-$vExhibitions.
650 0 $aPainting, British$y21st century$vExhibitions.
710 2 $aStudio Museum in Harlem.
700 1 $aGolden, Thelma.
700 1 $aBeckwith, Naomi.
700 1 $aEnwezor, Okwui.
899 $a415_565082
988 $a20110316
049 $aHFLA
906 $0OCLC