| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:612364813:1633 |
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LEADER: 01633cam a2200301 a 4500
001 012743125-X
005 20110512180550.0
008 100803s2011 mnua b s001 0 eng
010 $a 2010030718
020 $a9780816654611 (hc : alk. paper)
020 $a0816654611 (hc : alk. paper)
020 $a9780816654628 (pb : alk. paper)
020 $a081665462X (pb : alk. paper)
035 0 $aocn653122625
040 $aDLC$cDLC$dYDX$dYDXCP$dBWX
050 00 $aPN1998.3.B755$bP75 2011
082 00 $a791.4302/33092$222
100 1 $aPrice, Brian,$d1970-
245 10 $aNeither god nor master :$bRobert Bresson and radical politics /$cBrian Price.
260 $aMinneapolis :$bUniversity of Minnesota Press,$cc2011.
300 $a223 p. :$bill. ;$c23 cm.
500 $aBased on the author's doctoral dissertation--New York University.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Crime as a form of liberation : modeling revolt in Pickpocket and A man escaped -- Word and image, world and nothingness : logocentrism and ironic reversal in Procès de Jeanne d'Arc, Diary of a country priest, and Les anges du péché -- Man and animal, master and servant : Au hasard Balthazar and Mouchette -- The aftermath of revolt : Une femme douce and The turn to color -- Disintegration : Lancelot du Lac, or, the failure of identification and totality -- The agony of ideas : The devil probably and revolutionary discourse -- The last gasp : L'argent and the end of socialism.
600 10 $aBresson, Robert$xCriticism and interpretation.
899 $a415_565471
988 $a20110503
906 $0DLC