Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:612730852:1635 |
Source | harvard_bibliographic_metadata |
Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:612730852:1635?format=raw |
LEADER: 01635cam a2200385 a 4500
001 012743327-9
005 20110708191908.0
008 101001s2011 enk b 001 0 eng
010 $a 2010040761
020 $a9780415780063 (hardcover)
020 $a0415780063 (hardcover)
035 0 $aocn441141242
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dBWX
043 $an-us---
050 00 $aPN1995.9.S68$bB69 2011
082 00 $a791.43/6581$222
100 1 $aBoyd-Barrett, Oliver.
245 10 $aHollywood and the CIA :$bcinema, defense and subversion /$cOliver Boyd-Barrett, David Herrera and Jim Baumann.
260 $aAbingdon, Oxon ;$aNew York :$bRoutledge,$c2011.
300 $axiv, 208 p. ;$c25 cm.
490 1 $aMedia, war and security
504 $aIncludes bibliographical references (p. [186]-200) and index.
505 0 $aHollywood and the CIA : "a bunch of seedy, squalid bastards" -- The 1960s : in the shadows -- The 1970s : "there are no more secrets" -- The 1980s : "we've wiped out entire cultures! and for what?" -- The 1990s : black ops meet terror -- The 2000s : history interrupted -- Conclusion : once upon a time in Hollywood.
610 10 $aUnited States.$bCentral Intelligence Agency$xIn motion pictures.
650 0 $aEspionage in motion pictures.
650 0 $aMotion pictures$xPolitical aspects$zUnited States.
650 0 $aInternational relations in motion pictures.
650 0 $aPolitics in motion pictures.
700 1 $aHerrera, David,$d1986-
700 1 $aBaumann, Jim.
830 0 $aMedia, war and security.
899 $a415_565471
988 $a20110414
049 $aHLSS
906 $0DLC