| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:63789530:2510 |
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050 00 $aMT90$b.H47 2009
100 1 $aHepokoski, James A.$q(James Arnold),$d1946-
245 10 $aMusic, structure, thought :$bselected essays /$cJames Hepokoski.
260 $aFarnham ; Burlington, VT :$bAshgate,$cc2009.
300 $axx, 357 p. :$bill., music ;$c26 cm.
490 1 $aAshgate contemporary thinkers on critical musicology series
504 $aIncludes bibliographical references (p. [xvii]-xx) and index.
505 0 $aIntroduction -- Complete bibliography -- Part 1 : Historiography, history, methodology. The Dahlhaus project and its extra-musicological sources ; Beethoven reception : The symphonic tradition ; Some grounding principles of sonata theory -- Part 2 : Italian opera. Ottocento opera as cultural drama : Generic mixtures in Il Trovatore ; Staging Verdi's operas : The single "correct" performance ; Operatic stagings : positions and paradoxes :A reply to David J. Levin ; Structure, implication and the end of Suor Angelica ; Un bel dì? Vedremo! Anatomy of a delusion -- Part 3 : Structure and content : Shorter Essays. Formulaic openings in Debussy ; Culture clash ; Masculine/feminine ; Temps perdu -- Part 4 : Symphonic Readings. Fiery-pulsed libertine or domestic hero? Strauss's Don Juan reinvestigated ; Framing Till Eulenspiegel ; Gaudery, romance and the 'Welsh' tune : Introduction and Allegro, Op. 47.
520 8 $aThe 15 essays collected in this volume span a number of years and address a wide variety of topics. Considered as a whole, they strive to forge a productive synthesis among pressing issues in philosophy and cultural studies, musicological methodology and current music-theoretical practice.
650 0 $aMusical analysis.
650 0 $aMusic appreciation.
650 0 $aOpera$zItaly.
776 08 $iOnline version:$aHepokoski, James A. (James Arnold), 1946-$tMusic, structure, thought.$dFarnham ; Burlington, VT : Ashgate, ©2009$w(OCoLC)639595887
830 0 $aAshgate contemporary thinkers on critical musicology.
988 $a20090810
906 $0OCLC