MARC Record from harvard_bibliographic_metadata

LEADER: 02077cam a2200337Ka 4500
001 012796584-X
005 20120426175448.0
008 110817s2011 gw a b 000 0 eng d
020 $a9783775728539 (pbk.)
020 $a3775728538 (pbk.)
035 0 $aocn747014875
040 $aOI@$cOI@$dBTCTA$dOHX$dYDXCP$dBWX$dMZA$dIUL
050 4 $aN6537.J264$bA4 2011
100 1 $aJacir, Emily,$d1970-
245 10 $aEmily Jacir & Susan Buck-Morss.
246 3 $aEmily Jacir and Susan Buck-Morss.
260 $aOstfildern, Germany :$bHatje Cantz,$cc2011.
300 $a47 p. :$bill. ;$c21 cm.
490 1 $a100 notes--100 thoughts =$a100 Notizen--100 Gedanken ;$vno. 004
500 $aPublished in conjunction with the exhibition Documenta (13), to be held in September 2012.
504 $aIncludes bibliographical references (p. 46).
520 $a"This notebook combines photographs by Palestinian artist Emily Jacir with a text by political philosopher Susan Buck-Morss, who teaches at the City University of New York, written in response to the images and to conversations with the artist. Jacir's photographs depict the former Benedictine monastery of Breitenau, near Kassel. A prison camp in the Nazi era, it became a girl's reformatory after World War II. These images as well as other photographs taken in Kassel are accompanied by selections from the artist's diary entries, which investigate questions around the histories of the represented sites. Recalling Walter Benjamin's reading of Paul Klee's Angelus Novus, Buck-Morss' textual response unravels how truth and collective memory are established and how the inextricable relation between knowledge and power leads to the selection of what is archived and remembered."--Publisher's website.
600 10 $aJacir, Emily,$d1970-$vExhibitions.
650 0 $aPhotography, Artistic$vExhibitions.
700 1 $aBuck-Morss, Susan.
711 2 $aDocumenta$n(13th :$d2012 :$cKassel, Germany)
830 0 $a100 notes--100 thoughts ;$vno. 004.
899 $a415_565634
988 $a20110607
049 $aHLSS
906 $0OCLC