| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:677292953:1805 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01805cam a22003614a 4500
001 012800430-4
005 20110616120057.0
008 110210s2011 gw a b 000 0 eng d
020 $a9783775727617 (English ed.)
020 $a3775727612
035 0 $aocn756486703
035 0 $aocn701796243
040 $aERASA$cERASA$dOCLCQ$dBTCTA$dYDXCP$dOHX
041 0 $aeng$ager
050 4 $aNX550
082 04 $a700.943
245 00 $aKonrad Witz /$cwith contributions by Bodo Brinkmann ... [et al.].
260 $aOstfildern :$bHatje Cantz.$cc2011.
300 $a391 p. :$bill. ;$c32 cm.
504 $aIncludes bibliographical references (p. 369-387).
520 8 $aKonrad Witz (c. 1400-c.1446) counts among the most radical revivalists of painting in the first half of the fifteenth century. While his achievements testify to his knowledge of the Old Netherlandish painting of his time, they also constitute Witz's extraordinarily original signature. The uncontested highlight of his work is the Geneva Altar (1444), which features the Biblical scene of Peter fishing embedded in a veduta-like view of Lake Geneva-the first topographically accurate, identifiable landscape in the history of German painting. Exhibition: Kunstmuseum Basel (6.3-3.7.2011).
600 10 $aWitz, Konrad,$dapproximately 1400-approximately 1445.
600 10 $aWitz, Konrad,$dapproximately 1400-approximately 1445$vExhibitions.
600 10 $aWitz, Konrad,$dapproximately 1400-approximately 1445$vCatalogs.
650 0 $aPainting, German$y15th century$vCatalogs.
700 1 $aWitz, Konrad,$dapproximately 1400-approximately 1445.
700 1 $aBrinkmann, Bodo.
700 1 $aGeorgi, Katharina.
710 2 $aÖffentliche Kunstsammlung Basel.
899 $a415_565026
988 $a20110609
049 $aHLSS
906 $0OCLC