| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:700241214:1702 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01702cam a22003494a 4500
001 012820388-9
005 20131113062129.0
008 101210s2011 ohua bq s001 0 eng
010 $a 2010051519
020 $a9780896802810 (soft cover : alk. paper)
020 $a0896802817 (soft cover : alk. paper)
020 $a9780896804784 (electronic)
020 $a089680478X (electronic)
035 0 $aocn682895102
040 $aDLC$cDLC$dBTCTA$dYDXCP$dBWX
043 $af-mr---
050 00 $aPN1993.5.M8$bO86 2011
082 00 $a791.4309646$222
100 1 $aOrlando, Valérie,$d1963-
245 10 $aScreening Morocco :$bcontemporary film in a changing society /$cValérie K. Orlando.
260 $aAthens :$bOhio University Press,$c2011.
300 $axxii, 190 p. :$bill. ;$c22 cm.
490 1 $aOhio University research in international studies, Africa series ;$vno. 89
504 $aIncludes bibliographical references (p. [179]-184) and index.
504 $aIncludes filmography.
505 0 $aTheories and polemics: Moroccan films as social-realist texts -- Issues, contexts, and "culture wars": Marocains residants é l'etranger (MREs) versus filmmakers at home -- Bad boys, drugs, and rock 'n' roll: the urban stories of Morocco -- Prison, torture, and testimony: retelling the memories of the lead years -- Women's voices: documenting Morocco through feminine lenses -- Conclusion: the future of Moroccan cinema?
650 0 $aMotion pictures$zMorocco$xHistory$y20th century.
650 0 $aMotion pictures$xSocial aspects$zMorocco.
730 0 $aProject Muse UPCC books$5net
830 0 $aResearch in international studies.$pAfrica series ;$vno. 89.
988 $a20110707
906 $0DLC