Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:717249186:1573 |
Source | harvard_bibliographic_metadata |
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LEADER: 01573cam a2200349 a 4500
001 012835532-8
005 20110723224534.0
008 100715s2011 nju b 001 0 eng
010 $a 2010028880
020 $a9781611470505 (cloth : alk. paper)
020 $a1611470501 (cloth : alk. paper)
020 $a9781611470512 (electronic)
020 $a161147051X (electronic)
020 $a9780838642382 (alk. paper)
020 $a0838642381 (alk. paper)
035 0 $aocn648480871
035 $a(PromptCat)40019592248
040 $aDLC$cDLC$dYDX$dYDXCP$dUV0$dBWX
050 00 $aPR9639.3.F7$bZ89 2011
082 00 $a823/.914$222
100 1 $aSt. Pierre, Paul Matthew.
245 10 $aJanet Frame :$bsemiotics and biosemiotics in her early fiction /$cPaul Matthew St. Pierre.
260 $a[Madison, N.J.] :$bFarleigh Dickinson University Press ;$aLanham, Md. :$bCo-published with Rowman & Littlefield,$cc2011.
300 $a220 p. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: writing the body in the body of writing of Janet Frame -- Signs, signatories, semiotics in The lagoon -- The spatialization of sound-image signs in Owls do cry -- A biosemiotics of facial displays in Faces in the water -- The biosemiotic self as body in The edge of the alphabet -- Frame's apprenticeship to journeyman and master writer.
600 10 $aFrame, Janet$xCriticism and interpretation.
650 0 $aSymbolism in literature.
650 0 $aSemiotics and literature.
899 $a415_565426
988 $a20110723
906 $0DLC