| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:728484299:1411 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:728484299:1411?format=raw |
LEADER: 01411cam a2200349 a 4500
001 012844681-1
005 20111130151739.0
008 101217s2011 enk b 001 0 eng
010 $a 2010052535
016 7 $a015804154$2Uk
020 $a9780754641520 (hardback : alk. paper)
020 $a075464152X (hardback : alk. paper)
035 0 $aocn694616481
040 $aDLC$cDLC$dYDX$dYDXCP$dBWX$dCDX$dUKMGB$dIUL$dDLC
042 $apcc
050 00 $aPN2590.D58$bH95 2011
082 00 $a792.02/6$222
100 1 $aHyland, Peter,$d1943-
245 10 $aDisguise on the early modern English stage /$cPeter Hyland.
260 $aFarnham, Surrey, England ;$aBurlington, VT :$bAshgate Pub. Co.,$cc2011.
300 $a170 p. ;$c24 cm.
490 1 $aStudies in performance and early modern drama
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Disguise on the early modern stage -- The performance of disguise -- "Tis I" : revelations -- Disguise and genre -- Disguise as metatheatre -- The reception of disguise -- "Now am I most like my self" : disguise and identity.
650 0 $aTheater$zEngland$xHistory$y16th century.
650 0 $aTheater$zEngland$xHistory$y17th century.
650 0 $aDisguise$xHistory.
650 0 $aCostume$xHistory.
830 0 $aStudies in performance and early modern drama.
899 $a415_565699
988 $a20110802
906 $0DLC