MARC Record from harvard_bibliographic_metadata

LEADER: 02146cam a2200433 a 4500
001 012851409-4
005 20131113062255.0
008 101005s2011 njua b s001 0 eng
010 $a 2010041968
020 $a9780813550619 (hardcover : alk. paper)
020 $a0813550610 (hardcover : alk. paper)
020 $a9780813550626 (pbk. : alk. paper)
020 $a0813550629 (pbk. : alk. paper)
035 0 $aocn668990506
035 $a(PromptCat)40019654795
040 $aDLC$cDLC$dYDX$dYDXCP$dBWX
043 $an-us---$ae-uk---
050 00 $aPN1995.9.F54$bS6855 2011
082 00 $a791.43/655$222
100 1 $aStanfield, Peter,$d1958-
245 10 $aMaximum movies--pulp fictions :$bfilm culture and the worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson /$cPeter Stanfield.
260 $aNew Brunswick, N.J. :$bRutgers University Press,$cc2011.
300 $axiii, 227 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : yours till the boys come home -- Position papers : in defense of pulp movies -- A genealogy of pulp : Black mask to Mickey Spillane -- A world of small insanities : the critical reception of Kiss me deadly -- American primitive : Samuel Fuller's pulp politics -- Authenticating pulp : Jim Thompson adaptations and neo-noir -- Conclusion : hiding out in cinemas.
650 0 $aFilm noir$xHistory and criticism.
650 0 $aFilm criticism$zUnited States$xHistory$y20th century.
650 0 $aFilm criticism$zGreat Britain$xHistory$y20th century.
600 10 $aFuller, Samuel,$d1912-1997$xCriticism and interpretation.
600 10 $aSpillane, Mickey,$d1918-2006$xCriticism and interpretation.
600 10 $aSpillane, Mickey,$d1918-2006$xfilm adaptations.
600 10 $aThompson, Jim,$d1906-1977$xCriticism and interpretation.
600 10 $aThompson, Jim,$d1906-1977$xFilm adaptations.
650 0 $aDetective and mystery stories$xFilm adaptations.
650 0 $aDetective and mystery stories, American$xHistory and criticism.
730 0 $aProject Muse UPCC books$5net
899 $a415_565646
988 $a20110811
906 $0DLC