| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:756330202:1595 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01595cam a2200349 a 4500
001 012871130-2
005 20130122123930.0
008 110222s2011 nyua b 001 0 eng
010 $a 2011006312
020 $a9780199781799 (electronic bk.)
020 $a9780199781690 (hardcover : alk. paper)
020 $a0199781699 (hardcover : alk. paper)
020 $a9780199781706 (pbk. : alk. paper)
020 $a0199781702 (pbk. : alk. paper)
035 0 $aocn696100363
035 $a(PromptCat)40019683950
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dBWX
042 $apcc
050 00 $aPN1995.9.E96$bC67 2011
082 00 $a791.43/611$222
100 1 $aCorrigan, Timothy.
245 14 $aThe essay film :$bfrom Montaigne, after Marker /$cTimothy Corrigan.
260 $aNew York :$bOxford University Press,$cc2011.
300 $a237 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: of film and the essayistic -- Toward the essay film. On thoughts occasioned by Montaigne to Marker -- Of the history of the essay film: from Vertov, to Varda -- Essayistic thinking. About portraying expression: the essay film as inter-view -- To be elsewhere: cinematic excursions as essayistic travel -- On essayistic diaries: or, the velocities of non-place -- Of the currency of events: the essay film as editorial -- About refractive cinema: when films interrogate films.
653 $aEssay films
650 0 $aExperimental films$xHistory and criticism.
899 $a415_565471
899 $a415_565870
988 $a20110819
906 $0DLC