MARC Record from harvard_bibliographic_metadata

LEADER: 01726cam a2200337 a 4500
001 012871232-5
005 20111007192305.0
008 100728s2011 nyua b 001 0 eng
010 $a 2010032133
016 7 $a015813102$2Uk
020 $a9780195383454 (alk. paper)
020 $a0195383451 (alk. paper)
035 0 $aocn651153803
040 $aDLC$cDLC$dYDX$dYDXCP$dYBM$dBWX$dUKMGB
043 $an-us---
050 00 $aML2075$b.F67 2011
082 00 $a781.5/420820973$222
100 1 $aFranklin, Peter.
245 10 $aSeeing through music :$bgender and modernism in classic Hollywood film scores /$cPeter Franklin.
260 $aOxford ;$aNew York :$bOxford University Press,$cc2011.
300 $a191 p. :$bill. ;$c25 cm.
490 1 $aOxford music/media series
505 0 $aI: Music into film: critical cross-fades -- Men's musicology/women's films: meanings of late Romanticism -- Exploitation and seduction: converging responses to popular opera and film -- Into the mists...Subjective realms (and the undoing of men?): film's critique of music -- II: Watching symphonies: cautionary tales -- Symphonic narratives (and promiscuous pleasure): film music and changing perceptions of the symphony in the nineteenth century -- Return of the undone woman: Hollywood's music and the critical history of late Romanticism -- Modernism and 'the Image of the man': Hollywood interprets musical modernism.
504 $aIncludes bibliographical references and index.
650 0 $aMotion picture music$zUnited States$xHistory and criticism.
650 0 $aModernism (Music)
655 7 $aCriticism, interpretation, etc.$2fast
830 0 $aOxford music/media series.
988 $a20110819
049 $aHMUU
906 $0DLC