| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:83696409:1635 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01635cam a2200313Ia 4500
001 012071879-0
005 20131113043909.0
008 090512s2009 cc a b 001 0 eng d
015 $aGBA955070$2bnb
016 7 $a015271818$2Uk
020 $a9789622090743 (hbk.)
020 $a9622090745 (hbk.)
035 0 $aocn373484762
040 $aUKM$cUKM$dCDX$dOCL$dSTF
043 $aa-ch---
050 4 $aPN1998.3.H687$bU33 2009
082 04 $a791.430233092$222
100 1 $aUdden, James.
245 10 $aNo man an island :$bthe cinema of Hou Hsiao-hsien /$cJames Udden.
260 $aHong Kong :$bHong Kong University Press,$cc2009.
300 $aix, 226 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [211]-220) and index.
520 8 $aThis is a book-length study of Hou Hsiao-Hsien, Taiwan's famous director of movies such as 'The Puppetmaster', 'City of Sadness', 'Flowers of Shanghai', and 'Goodbye South, Goodbye'. His body of work reflects a unique film style chracterized by intricate lighting, improvisational acting, and long, static shots.
505 0 $aIntroduction: The problem of Hou /hsiao-hsien -- Hou and the Taiwanese experience -- Hou and the Taiwanese new cinema -- History in its place: City of sadness (1989) and The Puppetmaster (1993) -- Goodbye to all that: The new Hou from good men, good women (1995) to flowers of Shanghai (1998) -- Conclusion: Hou in the new millennium.
600 10 $aHou, Xiaoxian,$d1947-$xCriticism and interpretation.
650 0 $aMotion picture producers and directors$zTaiwan.
730 0 $aProject Muse UPCC books$5net
988 $a20090908
906 $0OCLC