Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:847421129:2674 |
Source | harvard_bibliographic_metadata |
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LEADER: 02674cam a2200373 a 4500
001 012955261-5
005 20131113054959.0
008 830616r19841971paua s001 0 eng
010 $a 83012480
020 $a0812211561 (pbk.)
020 $a9780812211566 (pbk.)
035 0 $aocm09684893
040 $aDLC$cDLC$dBAKER$dYDXCP$dCQU$dNIALS$dHALAN
050 00 $aNK4225$b.R3 1984
082 00 $a738$219
100 1 $aRawson, Philip S.
245 10 $aCeramics /$cPhilip Rawson.
250 $a1st pbk. ed.
260 $aPhiladelphia :$bUniversity of Pennsylvania Press,$c1984.
300 $axv, 223 p. :$bill. ;$c21 cm.
500 $aReprint. Originally published: London ; New York : Oxford University Press, 1971. (The Appreciation of the arts ; 6).
500 $aIncludes index.
505 00 $gPart 1$tGeneral Considerations$g1 --$gPart 2$tTechniques$g23 --$gPart 3$tSymbolism of Form$g64 --$tSelected List of American Ceramic Artists /$rHelen Williams Drutt$g213.
520 $a"With the unassuming title of Ceramics, Rawson has presented a very clear, orderly and thought-provoking guide for discussion. He provides words for those nebulous, or nonexistent, thoughts that students avoid talking about in critiques, and our professional associates talk all around, using whatever art language is being worn out at the time--'Is your work postmodernist yet?' Now we have no excuse to complain that there is no vocabulary." --National Council on Education for the Ceramic Arts Newsletter.
520 $a"There is enough material in this little 223 page book to last a long time as a stimulus for thought and work in clay. It would be an excellent gift to your local newspaper art critic and a great reference book for teachers." --National Council on Education for the Ceramic Arts Newsletter.
520 $a"Wake up America! Here's your chance to become more literate about pottery--or 'vessel' aesthetics. This book seems to have been overlooked by many in its first printing of 1971, but fortunately this gold mine has been." --National Council on Education for the Ceramic Arts Newsletter.
520 $a"Rawson defines a clear framework for discussing both the visual and psychological elements of the pottery tradition. The book presents a way to analyze and understand which particular elements touch or SPEAK to us across cultures and history. And there are enough pictures and diagrams to help out the less verbal." --National Council on Education for the Ceramic Arts Newsletter.
650 0 $aPottery.
650 0 $aPorcelain.
730 0 $aProject Muse UPCC books$5net
899 $a415_565631
988 $a20111031
049 $aHLSS
906 $0DLC