| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:85433951:1798 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:85433951:1798?format=raw |
LEADER: 01798cam a2200373Ia 4500
001 012073391-9
005 20100125152001.0
008 090807s2009 ne b 001 0 eng d
016 7 $a20612609$2bccb
020 $a9789042026667 (pbk.)
020 $a9042026669 (pbk.)
035 0 $aocn429980401
040 $aOHX$cOHX$dIPL$dNLGGC
043 $ae-fr---
050 4 $aTR642$b.T355 2009
072 7 $aPQ$2lcco
072 7 $aTR$2lcco
100 1 $aTaminiaux, Pierre,$d1958-
245 14 $aThe paradox of photography /$cPierre Taminiaux.
260 $aAmsterdam :$bRodopi,$c2009.
300 $a204 p. ;$c23 cm.
490 1 $aFaux titre ,$x0167-9392 ;$v335
504 $aIncludes bibliographical references (p. [191]-197) and index.
520 $a"The paradox of photography analyzes the discourse on photography by four of the most important modern French poets and theorists (Baudelaire, Breton, Barthes and Valéry). It stresses in particular the importance of this visual language for the development of both new forms of narrative and original critical studies on issues of representation in art. It also reflects upon the integration of photography within the domain of technical modernity while emphasizing its aesthetic identity stemming from the Western tradition of figurative painting." -- [p. 4] of cover.
650 0 $aPhotography, Artistic$xHistory and criticism.
650 0 $aPhotography, Artistic$xThemes, motives.
650 0 $aLiterature and photography$zFrance$xHistory and criticism.
600 10 $aBaudelaire, Charles,$d1821-1867$xAesthetics.
600 10 $aBreton, André,$d1896-1966$xAesthetics.
600 10 $aBarthes, Roland$xAesthetics.
600 10 $aValéry, Paul,$d1871-1945$xAesthetics.
830 0 $aFaux titre ;$vno. 335.
988 $a20090909
906 $0OCLC