Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:885929836:2966 |
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LEADER: 02966cam a2200421 a 4500
001 012988664-5
005 20120118111620.0
008 110608s2012 nyua b 001 0 eng
010 $a 2011024305
016 7 $a015722875$2Uk
020 $a9780415999038 (hardback)
020 $a0415999030 (hardback)
035 0 $aocn760980948
035 $a(PromptCat)99945808324
035 0 $aocn641536316
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dYDXCP$dBWX$dCDX$dUKMGB$dERASA
042 $apcc
050 00 $aPN171.A33$bM87 2011
082 00 $a306.4$223
084 $aSOC052000$aLIT000000$aPER004000$2bisacsh
100 1 $aMurray, Simone.
245 14 $aThe adaptation industry :$bthe cultural economy of contemporary literary adaptation /$cSimone Murray.
260 $aNew York :$bRoutledge,$c2012.
300 $axvi, 253 p. :$bill. ;$c25 cm.
490 1 $aRoutledge research in cultural and media studies ;$v32
504 $aIncludes bibliographical references (p. [216]-244) and index.
520 $a"Adaptation constitutes the driving force of contemporary culture, with stories adapted across an array of media formats. However, adaptation studies has been concerned almost exclusively with textual analysis, in particular with compare-and-contrast studies of individual novel and film pairings. This has left almost completely unexamined crucial questions of how adaptations come to be made, what are the industries with the greatest stake in making them, and who the decision-makers are in the adaptation process. The Adaptation Industry re-imagines adaptation not as an abstract process, but as a material industry. It presents the adaptation industry as a cultural economy of six interlocking institutions, stakeholders and decision-makers all engaged in the actual business of adapting texts: authors; agents; publishers; book prize committees; scriptwriters; and screen producers and distributors. Through trading in intellectual property rights to cultural works, these six nodal points in the adaptation network are tightly interlinked, with success for one party potentially auguring for success in other spheres. But marked rivalries between these institutional forces also exist, with competition characterizing every aspect of the adaptation process. This book constructs an overdue sociology of contemporary literary adaptation, never losing sight of the material and institutional dimensions of this powerful process"--$cProvided by publisher.
650 0 $aLiterature$xAdaptations$xHistory and criticism.
650 0 $aFilm adaptations$xHistory and criticism.
650 0 $aMass media and literature.
650 0 $aCultural fusion.
650 7 $aSOCIAL SCIENCE / Media Studies.$2bisacsh
650 7 $aLITERARY CRITICISM / General.$2bisacsh
650 7 $aPERFORMING ARTS / Film & Video / General.$2bisacsh
830 0 $aRoutledge research in cultural and media studies ;$v32.
899 $a415_565426
988 $a20111130
906 $0DLC