| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:893929514:1454 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:893929514:1454?format=raw |
LEADER: 01454nam a22002778a 4500
001 012995527-2
005 20120117162721.0
008 110502s2011 enk b 001 0 eng
010 $a 2011016502
020 $a9781847064950
035 0 $aocn657603204
040 $aDLC$cDLC
050 00 $aPR3034$b.W54 2011
082 00 $a822.3/3$222
100 1 $aWilson, Christopher R.,$d1952-
245 10 $aShakespeare's musical imagery /$cChristopher R. Wilson.
260 $aLondon ;$aNew York :$bContinuum,$cc2011.
300 $a259 p. ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $a"Music to hear": the scope of Shakespeare's musical imagery -- "By the sweet power of music": consonance and harmony -- "And doleful dumps the mind oppress": passionate words -- "A delightful measure or a dance": dance music -- "Braying trumpets and loud churlish drums": the music of war -- "A rhyme is but a ballad": popular song -- "Suppose the singing birds musicians": birdsong -- "Orpheus with his lute": symbolic persons -- "Gamut I am, the ground of all accord": music theory and pedagogy -- "A thousand twangling instruments": art and country instruments -- "A swanlike end, fading in music".
600 10 $aShakespeare, William,$d1564-1616$xKnowledge$xMusic.
600 10 $aShakespeare, William,$d1564-1616$xCriticism and interpretation.
650 0 $aMusic in literature.
899 $a415_565471
988 $a20111207
906 $0DLC