| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:8960633:1538 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:8960633:1538?format=raw |
LEADER: 01538cam a22003854a 4500
001 012008129-6
005 20090806134855.0
008 081114s2009 nyua b 001 0 eng
010 $a 2008049762
020 $a0230606385
020 $a9780230606388
035 0 $aocn181601079
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dC#P$dBWX$dCDX$dCDS
043 $acl-----
050 00 $aPN1995.9.D62$bV57 2009
082 00 $a791.430982$222
082 4 $a808.823
245 00 $aVisual synergies in fiction and documentary film from Latin America /$cedited by Miriam Haddu and Joanna Page.
250 $a1st ed.
260 $aNew York :$bPalgrave Macmillan,$c2009.
300 $axi, 257 p. :$bill. ;$c25 cm.
490 1 $aStudies of the Americas
504 $aIncludes bibliographical references and index.
505 0 $aPart I. Latin American perspectives -- Part II. Revolution and its specters -- Part III. Crossing borders, crossing genres -- Part IV. Performance and reflexivity in the contemporary documentary -- Part V. Questions of reference.
650 0 $aDocumentary-style films$zLatin America$xHistory and criticism.
650 0 $aMotion pictures$zLatin America$xHistory and criticism.
650 0 $aMotion pictures$xSocial aspects$zLatin America.
650 0 $aMotion pictures$zLatin America$xHistory.
655 7 $aCriticism, interpretation, etc.$2fast
700 1 $aHaddu, Miriam,$d1971-
700 1 $aPage, Joanna,$d1974-
830 0 $aStudies of the Americas.
988 $a20090617
049 $aHLSS
906 $0DLC