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Record ID harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:899670714:3223
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:899670714:3223?format=raw

LEADER: 03223cam a2200421 a 4500
001 012999738-2
005 20120202113508.0
008 110705s2011 ncua b 001 0 eng
010 $a 2011025615
016 7 $a015906278$2Uk
020 $a9780786459506 (softcover : alk. paper)
020 $a0786459506 (softcover : alk. paper)
035 $a(PromptCat)99946029431
035 0 $aocn732960118
040 $aDLC$beng$cDLC$dYDX$dYDXCP$dBWX$dIAD$dUKMGB$dCDX$dIAD
043 $an-us---
050 00 $aPN6714$b.P67 2011
050 04 $aHV6432.7$b.P683 2011
082 00 $a810.9/35873931$223
245 00 $aPortraying 9/11 :$bessays on representations in comics, literature, film and theatre /$cedited by Véronique Bragard, Christophe Dony and Warren Rosenberg.
246 3 $aPortraying September 11
260 $aJefferson, N.C. :$bMcFarland,$cc2011.
300 $avii, 176 p. :$bill. ;$c26 cm.
520 $a"This collection of essays offers insights into the discourses that shape the memory of 9/11 in comics, literature, film, and theatre. The book examines historical, political, cultural, and personal meanings of the disaster and its aftermath through critical discussions of Marvel and New Yorker comics, American and British novels, Hollywood films, and the plays of Anne Nelson"--Provided by publisher.
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction /$rVéronique Bragard, Christophe Dony and Warren Rosenberg --$gComics.$tCovering 9/11: The New Yorker, trauma kitsch, and popular memory /$rTimothy Krause --$tSpandex agonistes: superhero comics confront the war on terror /$rMatthew J. Costello --$t"Whose Side Are You On?" the allegorization of 9/11 in Marvel's Civil War /$rStephan Packard --$gLiterature.$tSeptember 11 and Cold War nostalgia /$rAaron DeRosa --$tDon DeLillo's Falling man: countering Post-9/11 narratives of heroic masculinity /$rMagali Cornier Michael --$tMisplaced anxieties: violence and trauma in Ian McEwan's Saturday /$rUlrike Tancke --$tThe mediated trauma of September 11, 2001, in William Gibson's Pattern recognition and David Foster Wallace's "The suffering channel" /$rMarc Oxoby --$gPerformance.$tTerror and mismemory: resignifying September 11 in World Trade Center and United 93 /$rGerry Canavan --$tFrom Flying man to Falling man: 9/11 discourse in Superman returns and Batman begins /$rDan Hassler-Forest --$tAuthenticating the reel: realism, simulation, and trauma in United 93 /$rFrances Pheasant-Kelly --$tConnecting in the aftermath: trauma, performance, and catharsis in the plays of Anne Nelson /$rJames M. Cherry.
650 0 $aComic books, strips, etc.$xHistory and criticism.
650 0 $aSeptember 11 Terrorist Attacks, 2001$vCaricatures and cartoons.
650 0 $aSeptember 11 Terrorist Attacks, 2001, in literature.
650 0 $aSeptember 11 Terrorist Attacks, 2001, in motion pictures.
650 0 $aSeptember 11 Terrorist Attacks, 2001, in mass media.
650 0 $aPopular culture$xPolitical aspects$zUnited States$xHistory$y21st century.
700 1 $aBragard, Véronique.
700 1 $aDony, Christophe.
700 1 $aRosenberg, Warren.
899 $a415_565232
988 $a20111212
906 $0DLC