| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:93090496:1380 |
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LEADER: 01380cam a2200301 a 4500
001 012080806-4
005 20091016145251.0
008 090220s2009 enka b 001 0 eng
010 $a 2009006280
015 $aGBA944315$2bnb
016 7 $a015174694$2Uk
020 $a9780199570171
020 $a0199570175
035 0 $aocn310714820
040 $aDLC$cDLC$dBTCTA$dYDXCP$dUKM$dBWKUK$dBWK$dBWX$dCDX$dDLC
050 00 $aPN1995$b.L5428 2009
100 1 $aLivingston, Paisley,$d1951-
245 10 $aCinema, philosophy, Bergman :$bon film as philosophy /$cPaisley Livingston.
260 $aOxford ;$aNew York :$bOxford University Press,$c2009.
300 $aix, 215 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. [201]-211) and index.
505 0 $aSurveying cinema as philosophy -- Theses on cinema as philosophy -- Arguing over cinema as philosophy -- An intentionalist approach to film as philosophy -- Types of authorship in the cinema -- Partial intentionalism -- On Ingmar Bergman and philosophy -- Bergman, Kaila, and the faces of irrationality -- Value, authenticity, and fantasy in Bergman.
650 0 $aMotion pictures$xPhilosophy.
650 0 $aPhilosophy in motion pictures.
600 10 $aBergman, Ingmar,$d1918-2007$xCriticism and interpretation.
600 10 $aBergman, Ingmar,$d1918-2007$xPhilosophy.
988 $a20090918
906 $0DLC