MARC Record from harvard_bibliographic_metadata

LEADER: 03233cam a2200505Ii 4500
001 013897331-8
005 20140107153230.0
008 131021s2012 bl a bc 000 0 por d
020 $a9788589680301
020 $a8589680304
035 0 $aocn863065857
040 $aH7K$erda$beng$cH7K$dOCLCO$dIQU$dISM
041 0 $apor$aeng
050 14 $aN6659.O34$bA4 2012
050 4 $aND359.O38$bA4 2012
100 1 $aOhtake, Tomie,$eartist.
245 10 $aPinturas cegas :$bTomie Ohtake /$cPaulo Herkenhoff.
246 30 $aTomie Ohtake
264 1 $aPorto Alegre :$bFundaçao Iberé Camargo,$c2012
300 $a124 pages :$billustrations (chiefly color) ;$c30 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aTitle from page [45].
500 $a"This catalogue was produced on the occasion of the exhibition "Tomie Ohtake - Pinturas cegas", Iberé Camargo Foundation, Porto Alege, Brazil. June 15 to August 12, 2013" --Facing Title, page [44].
546 $aPortuguese and English.
504 $aIncludes bibliographical references.
505 0 $aIntroduçao = Introduction / Fundaçao Iberé Camargo, Instituto Tomie Ohtake -- Tomie Ohtake : pinturas cegas ou o osso do olho (a nao ver na história da arte brasileira) = Tomie Ohtake : blind paintings or the bone of the eye (not seeing in Brazilian art history) / Paulo Herkenhoff -- Caderno de referencias .
520 $aBetween 1959 and 1962, artist Tomie Ohtake (b. Kyoto, 1913, naturalized Brazilian) took her art to extremes, through a sense of being hostage to her own perception she started creating with her eyes blindfolded. Instructed by critic Mrio Pedrosa (1900 - 1981), she learned the theory of Phenomenology of Perception of Maurice Merleau-Ponty (1908 - 1961), according to which perception is an event based on the experience of the senses. The outcome was the series of paintings known as the "Pinturas Cegas". The challenging task was to gather the 33 abstract works from collections and private collections throughout Brazil and abroad results in the opportunity to contemplate, for the first time, a significant number in this series unknown to the general public. Curator Paul Herkenhoff highlights the fact that the paintings have remained unknown by the general public and ignored by much of the historiography until 2011, when an exhibition dedicated to only these works revealed the and the aesthetic strength of her experiment.
600 10 $aOhtake, Tomie$vExhibitions.
600 10 $aOhtake, Tomie$xThemes, motives.
650 0 $aArt, Modern$y20th century$vExhibitions.
655 7 $aExhibition catalogs.$2fast
700 1 $aHerkenhoff, Paulo,$ecurator.
710 2 $aFundação Iberê Camargo.
700 1 $aHerkenhoff, Paulo,$eeditor,$ewriter of added text.
700 1 $aBoff, Adriana,$eeditor.
710 2 $aFundação Iberê Camargo,$ehost institution,$eissuing body.
700 12 $aOhtake, Tomie.$tPinturas cegas.
700 12 $aOhtake, Tomie.$tPinturas cegas.$lEnglish.
700 12 $aOhtake, Tomie.$tWorks.$kSelections.
700 12 $aOhtake, Tomie.$tWorks.$kSelections.$lEnglish.
899 $a415_565082
988 $a20140107
906 $0OCLC