MARC Record from harvard_bibliographic_metadata

LEADER: 01894cam a2200385Ia 4500
001 013908267-0
005 20140122131159.0
008 130703s2013 gw a 000 0deng d
016 7 $a016200269$2Uk
020 $a9783869305363
020 $a3869305363
035 0 $aocn852259617
040 $aERASA$beng$cERASA$dBTCTA$dUKMGB$dOHX$dCHVBK$dYDXCP$dNYP$dJPG
043 $an-us-ma
050 4 $aTR655$b.N59x 2013
072 7 $aTR$2lcco
082 04 $a770
100 1 $aNixon, Nicholas,$d1947-
245 10 $aClose far /$cby Nicholas Nixon ; [text by Peter Galassi].
250 $a1st ed.
260 $aGöttingen :$bSteidl,$c2013.
300 $a1 v. (unpaged) :$bill. ;$c36 cm.
520 8 $aIn Close far, Nixon presents a dichotomous group of photos made with his signature large-format view camera, in this case one with an 11 x 14 inch negative. The first half of the book contains self-portraits, comprising, in Nixon's words, sketches of an old man. Filled with anxiety, longing and contentedness, these images chronicle the shapes, slopes and pores of Nixon's face. The second half of the book shows views of buildings in the densest part of Boston. Made from high within the buildings and with the same camera, these images without horizons do not gaze down upon but rather through the city. With the lens in the same orientation as his self-portrait photos, Nixon's results are remarkable for their richness of detail and complexity of form.
500 $aTwo separate parts bound together back-to-back and inverted.
600 10 $aNixon, Nicholas,$d1947-
600 10 $aNixon, Nicholas,$d1947-$vPortraits.
651 0 $aBoston (Mass.)$vPictorial works.
650 0 $aPortrait photography.
650 0 $aPhotography, Artistic.
650 0 $aPhotography, Close-up.
700 1 $aGalassi, Peter.
899 $a415_565269
988 $a20140122
049 $aHFLA
906 $0OCLC