Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:1044327924:3202 |
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LEADER: 03202cam a2200469Ii 4500
001 013909397-4
005 20140717120224.0
008 130518s2013 ilu b s001 0 eng d
010 $a 2013951561
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020 $a9780252037962
020 $z9780252095221 (electronic bk.)
020 $z0252095227 (electronic bk.)
035 0 $aocn843858231
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043 $an-us-il
050 14 $aPN4835.5$b.D84 2013
084 $aAP 25220$2rvk
100 1 $aDuffy, Brooke Erin,$eauthor.
245 10 $aRemake, remodel :$bwomen's magazines in the digital age /$cBrooke Erin Duffy.
246 30 $aWomen's magazines in the digital age
264 1 $aUrbana, Chicago, Springfield, [Illinois] :$bUniversity of Illinois Press,$c[2013]
264 4 $c©2013
300 $axiii, 189 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
546 $aText in English.
504 $aIncludes bibliographical references (pages 159-179) and index.
505 0 $aMaking the magazine: three hundred years in print -- Transforming the magazine: from print to bits -- Production tensions: new positions, routines, and gender roles -- Rethinking readership: the digital challenge of audience construction -- Inviting audiences in: interactive consumers and fashion bloggers -- Off the page: medium-specific approaches to content.
520 $aWhat is a magazine? For decades, women's magazines were regularly published, print-bound guidebooks aimed at neatly defined segments of the female audience. Crisp pages, a well-composed visual aesthetic, an intimate tone, and a distinctive editorial voice were among the hallmarks of women's glossies up through the turn of this century. Yet amidst an era of convergent media technologies, participatory culture, and new demands from advertisers, questions about the identity of women's magazines have been cast up for reflection. This book offers a unique glimpse inside the industry and reveals how executives and content creators are remaking their roles, their audiences, and their products at this critical historic juncture. Through in-depth interviews with women's magazine producers, an examination of hundreds of trade press reports, and in-person observations at industry summits, this text chronicles a fascinating shift in print culture and technology from the magazine as object to the magazine as brand. This book draws on these findings to contribute to timely debates about media producers' labor conditions, workplace hierarchies, and creative processes in light of transformed technologies and media economies.
650 0 $aWomen's periodicals$xHistory$y21st century.
650 0 $aWomen's periodicals$xPublishing.
650 0 $aWomen's periodicals$xMarketing.
650 0 $aWomen's periodicals$xEffect of technological innovations on.
730 0 $aProject Muse UPCC books.$5net
899 $a415_565322
988 $a20140123
906 $0OCLC