MARC Record from harvard_bibliographic_metadata

LEADER: 02188cam a2200421Mi 4500
001 013919014-7
005 20140130151158.0
008 131122s2013 gw ab c 000 0 eng d
016 7 $a1036324354$2GyFmDB
016 7 $a016560208$2Uk
016 7 $a1036324354$2DE-101
020 $a9783869306964 (cl.)
020 $a3869306963 (cl.)
035 0 $aocn863951568
040 $aOHX$beng$cOHX$dUKMGB$dERASA$dYDXCP$dJPG$dZCU
043 $af-ug---
050 4 $aDT433.245.A35$bB33x 2013
072 7 $aTR$2lcco
090 $aDT433.245.A35$bB33x 2013x
100 1 $aBacigalupo, Martina.
245 00 $aGulu Real Art Studio /$cMartina Bacigalupo.
250 $a1st ed.
260 $aGöttingen :$bSteidl ;$aNew York :$bThe Walther Collection,$c2013.
300 $a189 p. :$bcol. ill., col. map ;$c25 cm.
500 $aOn the occasion of an exhibition organized by the Walther Collection and presented at the Walther Collection Project Space, New York, September 19, 2013 - February 8, 2014.
520 $aThis book shows a series of portraits found in the trash bin of the Gulu Real Art Studio, the oldest photographic studio in Gulu, Northern Uganda. The studio only has a machine that makes four ID images at a time, a number that most clients cannot afford, so the photographer takes single analog pictures, punches out the head with a special device, and discards the rest. In these faceless prints, one̕ s focus shifts to the subjects individual posture and clothing, forming a typological portrayal of a community. Martina Bacigalupo also interviewed clients of Gulu, and their stories, many deeply moving, describe the political, economic, and social conditions common to contemporary East Africa.
504 $aIncludes bibliographical references.
650 0 $aAcholi (African people)$vExhibitions.
651 0 $aGulu (Uganda)$vExhibitions.
650 0 $aIdentification photographs$vExhibitions.
650 0 $aPhotography, Artistic$vExhibitions.
655 7 $aExhibition catalogs.$2fast
710 2 $aWalther Collection Project Space (New York, N.Y.)
710 2 $aWalther Collection.
899 $a415_565269
988 $a20140130
049 $aHFLA
906 $0OCLC