MARC Record from harvard_bibliographic_metadata

LEADER: 03727nam a2200421 a 4500
001 013923542-6
005 20140204035043.0
008 140124s2013 it a bc 001 0dita c
020 $a9788879706018
020 $a8879706012
035 0 $aocn868999205
040 $aFXM$cFXM
042 $apcc
043 $ae-it---
050 4 $aND623.F7812$bA4 2013
100 1 $aFabbri, Maria Cecilia.
245 10 $aVolterrano :$bBaldassarre Franceschini (1611-1690) /$cMaria Cecilia Fabbri, Alessandro Grassi, Riccardo Spinelli : biografia di Mina Gregori ; fotografie di Irene Taddei.
246 30 $aBaldassarre Franceschini (1611-1690)
260 $aFirenze :$bEnte Cassa di risparmio di Firenze :$bEdifir,$cc2013.
300 $a406 p. :$bill. (some col.) ;$c30 cm.
504 $aIncludes bibliographical references (p. 386-400) and indexes.
520 $aBorn in Volterra (Volterra 1611-Florence 1690), but Florentine by adoption and of art education, Baldassarre Franceschini was the main Baroque painter of the seventeenth-century Florence, the only one who knew how to interpret, in an original and not slavish, the language "modern" came to Florence from Rome with Pietro da Cortona. Protected by the Medici and the main families of Florence and Tuscany, in the time (and the most important religious orders), the Volterra had a long career, which lasted sixty years, crowned with important commissions, and public recognition. First of the Tuscan Grand Duchy in the capital to introduce the magnificence and grandeur of the Baroque capitol, the artist was able to develop its own version, do not forget the local tradition that saw a moment in the drawing creative imperative. The Volterra came under the Medici, receiving from Don Lorenzo, the brother of Grand Duke Cosimo II, the important task of decorating the courtyard of the villa Petraia. Since then, the career of the painter never stopped, studded with study trips in major art capitals (Parma, Bologna, Venice, Rome), in constant search of a language is always new and updated. The fruits of these multiple experiences are verifiable in both large complex frescoes, easel is in the works, in which the artist gave proof of a solid understanding of the sources of literature, history, myth, sacred texts
505 0 $aVolterrano (Baldassarre Franceschini) Volterra (Pisa) 1611-Firenze 1690 / Maria Cecilia Fabbri -- Come dal germe ai suoi perfetti giorni / Alessandro Grassi -- Dagli affreschi della Petraia al "Cristo confortato dali angeli" in Santa Teresa / Riccardo Spinelli -- Elementi di novità e di sperimentazione stilistica nella pittura del Volterrano lungo la fase centrale / Maria Cecilia Fabbri -- Gli anni estremi tra pensieri sublimi e devoti pennelli / Alessandro Grassi -- Catalogo
600 10 $aFranceschini, Baldassare,$d1611-1689$vCatalogues raisonnés.
650 0 $aPainting, Baroque$zItaly$zTuscany$vCatalogs.
655 7 $aCatalogs.$2fast
600 10 $aFranceschini, Baldassare,$d1611-1690$vCatalogues raisonnés.
600 10 $aFranceschini, Baldassare,$d1611-1690$xCriticism and interpretation.
700 1 $aFranceschini, Baldassare,$d1611-1689.
700 1 $aGrassi, Alessandro.
700 1 $aSpinelli, Riccardo.
700 1 $aGregori, Mina.
700 1 $aFranceschini, Baldassare,$d1611-1690.
700 12 $iContainer of (work):$aFranceschini, Baldassare,$d1611-1690.$tPaintings.
700 12 $iContainer of (work):$aFabbri, Maria Cecilia.$tElementi di novità e di sperimentazione stilistica nella pittura del Volterrano lungo la fase centrale.
700 12 $iContainer of (work):$aSpinelli, Riccardo.$tDagli affreschi della Petraia al "Cristo confortato dali angeli" in Santa Teresa.
988 $a20140204
906 $0OCLC