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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:1080240781:2858
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:1080240781:2858?format=raw

LEADER: 02858nam a2200421Ia 4500
001 013939079-0
005 20140516193729.0
008 140329s2012 gw a b 000 0 eng d
020 $a1934105821
020 $a9781934105825
035 0 $aocn812529560
035 $a(MARCnow)har130229172
040 $aNyNyMAR$cNyNyMAR
090 $aN6888.S782$bA35 2012
100 1 $aSteyerl, Hito.
245 14 $aThe wretched of the screen /$cHito Steyerl ; [introduction by Franco "Bifo" Berardi].
260 $aBerlin :$bSternberg Press,$cc2012.
300 $a198 p. :$bill. ;$c18 cm.
490 1 $aE-flux journal
504 $aIncludes bibliographical references.
505 00 $tIn free fall : a thought experiment on vertical perspective --$tIn defense of the poor image --$tA thing like you and me --$tIs a museum a factory? --$tThe articulation of protest --$tPolitics of art : contemporary art and the transition to post-democracy --$tArt as occupation : claims for an autonomy of life --$tFreedom from everything : freelancers and mercenaries --$tMissing people : entanglement, superposition, and exhumation as sites of indeterminacy --$tThe spam of the earth : withdrawal from representation --$tCut! reproduction and recombination.
520 $aIn Hito Steyerl's writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number of Steyerl 's landmark essays from recent years in which she has steadily developed her very own politics of the image. Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information in the formal shifts and aberrant distortions of accelerated capitalism, of the art system as a vast mine of labor extraction and passionate commitment, of occupation and internship, of structural and literal violence, enchantment and fun, of hysterical, uncontrollable flight through the wreckage of postcolonial and modernist discourses and their unanticipated openings. -Back cover.
650 7 $0(DE-588)4114333-4$0(DE-101)041143337$aKunst.$2gnd
650 0 $aArt, Modern$y21st century$xPhilosophy.
650 0 $aImage (Philosophy)
650 0 $aArt$xPolitical aspects.
650 0 $aArt$xEconomic aspects.
650 7 $aArt$xEconomic aspects.$2fast$0(OCoLC)fst00815231
650 7 $aArt, Modern$xPhilosophy.$2fast$0(OCoLC)fst00816650
650 7 $aArt$xPolitical aspects.$2fast$0(OCoLC)fst00815309
650 7 $aImage (Philosophy)$2fast$0(OCoLC)fst00967475
648 7 $a2000 - 2099$2fast
655 7 $aAufsatzsammlung$2gnd
700 1 $aBerardi, Franco.
830 0 $aE-flux journal.
899 $a415_565473
988 $a20140215
906 $0VEN