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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:1095694496:1762
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:1095694496:1762?format=raw

LEADER: 01762cam a2200313Ia 4500
001 013951257-8
005 20141202134837.0
008 140718s2014 be a b 000 0 eng d
020 $a9789058679925 (hd.bd.)
020 $a9058679926 (hd.bd.)
035 0 $aocn884235066
040 $aOHX$beng$cOHX$dOCLCO$dJPG$dYDXCP
043 $ae------
050 4 $aPN3220$b.M37x 2014
072 7 $aPN$2lcco
082 04 $a792.094$223
245 00 $aMass theatre in interwar Europe :$bFlanders and the Netherlands in an international perspective /$cThomas Crombez & Luk van den Dries, eds.
260 $aLeuven :$bLeuven University Press,$cc2014.
300 $a164 p. :$bill. ;$c29 cm.
490 1 $aKADOC Artes ;$v15
504 $aIncludes bibliographical references.
520 8 $aIn many European countries mass theatre was a widespread expression of community art which became increasingly popular shortly before the First World War. From Max Reinhardt's lavish open-air spectacles to socialist workers ; Laienspiel (lay theatre), theatre visionaries focused on ever larger groups for entertainment as well as political agitation. Despite wide research on the Soviet and German cases, examples from the Low Countries have hardly been examined. However, mass plays in Flanders and the Netherlands had a distinctive character, displaying an ideological heterogeneity not seen elsewhere. This book studies this peculiar phenomenon of the Low Countries in its European context and sheds light on the broader framework of mass movements in the inter-war period.
650 0 $aCommunity theater$zEurope$y20th century.
700 1 $aCrombez, Thomas.
700 1 $aDries, Luk van den.
830 0 $aKADOC artes ;$v15.
988 $a20140304
049 $aHLSS
906 $0OCLC