Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:12101968:2056 |
Source | harvard_bibliographic_metadata |
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LEADER: 02056cam a2200409 a 4500
001 013010391-8
005 20111217224611.0
008 110425s2011 nyua b 001 0 eng
010 $a 2011017477
020 $a9780230116795
020 $a0230116795
035 0 $aocn703209400
035 $a(PromptCat)40020175927
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dBWX
042 $apcc
043 $an-us---
050 00 $aPN1942$b.D275 2011
082 00 $a792.7/60973$223
084 $aPER015000$aPER019000$aSOC052000$2bisacsh
100 1 $aDavis, Andrew,$d1952-
245 10 $aBaggy pants comedy :$bburlesque and the oral tradition /$cAndrew Davis.
250 $a1st ed.
260 $aNew York :$bPalgrave Macmillan,$c2011.
300 $axiii, 288 p. :$bill. ;$c25 cm.
490 1 $aPalgrave studies in theatre and performance history
520 $a"Baggy Pants Comedy takes readers inside the burlesque houses of Depression-era America to explore the role of comedy in a show remembered mostly for strip-tease. It examines how burlesque comics, straightmen, and talking women approached the craft of comedy, working in a genre that relied not on scripts but on a remembered tradition of comedy bits that circulated orally. The book opens a long-neglected area of American folklore, presenting dozens of fondly-remembered routines like "Who's On First" and "Niagara Falls (Slowly I Turned)," as well as long-forgotten classics in print for the first time"--Provided by publisher.
504 $aIncludes bibliographical references and index.
650 0 $aBurlesque (Theater)$zUnited States$xHistory$y20th century.
650 0 $aStand-up comedy$zUnited States$xHistory$y20th century.
650 0 $aComedy sketches$zUnited States$xHistory$y20th century.
650 7 $aPERFORMING ARTS / Comedy.$2bisacsh
650 7 $aPERFORMING ARTS / Storytelling.$2bisacsh
650 7 $aSOCIAL SCIENCE / Media Studies.$2bisacsh
830 0 $aPalgrave studies in theatre and performance history.
899 $a415_565646
988 $a20111217
906 $0DLC