MARC Record from harvard_bibliographic_metadata

LEADER: 02623cam a2200385 a 4500
001 013130464-X
005 20131113064154.0
008 110822s2012 ilua bq s001 0 eng
010 $a 2011034800
016 7 $a016019475$2Uk
020 $a9780252078415 (pbk. : alk. paper)
020 $a0252078411 (pbk. : alk. paper)
020 $a9780252036699 (cloth : alk. paper)
020 $a0252036697 (cloth : alk. paper)
035 0 $aocn747713071
040 $aDLC$cDLC$dYDX$dBTCTA$dERASA$dUKMGB$dYDXCP$dBDX$dBWX
042 $apcc
050 00 $aPN1998.3.K585$bC58 2012
082 00 $a791.4302/33092$aB$223
100 1 $aChung, Hye Seung,$d1971-
245 10 $aKim Ki-duk /$cHye Seung Chung.
260 $aUrbana :$bUniversity of Illinois Press,$cc2012.
300 $ax, 161 p. :$bill. ;$c22 cm.
490 1 $aContemporary film directors
504 $aIncludes bibliographical references and index.
504 $aIncludes filmography.
505 0 $aBeyond "extreme": the cinema of ressentiment. Kim Ki-duk: towards a more perfect imperfection -- An auteur is born: fishhooks, critical debates, and transnational canons -- On suffering and sufferance: postcolonial pain and the "purloined letter" in Address unknown -- Reconciling the paradox of silence and apologia: Bad guy, The isle, and 3-iron -- Neofeminist revisions: female bodies and semiotic chora in Birdcage inn and Samaritan girl -- The bodhisattva inner-eye: inwardly drawn transcendence in Spring, summer, fall, winter -- and spring -- Interview with Kim Ki-duk: from Crocodile to Address unknown / by Kim So-Hee.
520 8 $aThis study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal pain and extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labelled a "psychopath" and "misogynist" in South Korea. Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's oeuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression).
600 10 $aKim, Ki-dŏk,$d1960-$xCriticism and interpretation.
730 0 $aProject Muse UPCC books$5net
830 0 $aContemporary film directors.
899 $a415_565267
899 $a415_565471
988 $a20120313
906 $0DLC