MARC Record from harvard_bibliographic_metadata

LEADER: 02153cam a2200337 a 4500
001 013143996-0
005 20120403163141.0
008 110502s2012 ne a b 001 0 eng c
020 $a9789089643261
020 $a9089643265
035 0 $aocn719415509
040 $aERASA$cERASA$dINU$dBDX$dNDD$dBTCTA$dYDXCP$dBWK
041 1 $aeng$hdut
042 $apcc
043 $ae-ne---
050 4 $aND653.B57$bE554 2012
082 04 $a759.9492$223
100 1 $aEikema Hommes, Margriet van,$d1969-
245 10 $aArt and allegiance in the Dutch Golden Age :$bthe ambitions of a wealthy widow in a painted chamber by Ferdinand Bol /$cMargriet van Eikema Hommes ; [editor Dutch text: Piet Bakker ; translation, Murray Pearson].
260 $aAmsterdam :$bAmsterdam University Press,$cc2012.
300 $a297 p. :$bill. (chiefly col.) ;$c26 cm.
490 1 $aAmsterdam studies in the Dutch golden age
520 8 $aFerdinand Bol, one of Rembrandt's best-known pupils, made a unique ensemble of five wall-sized canvasses in the 1660s. This interdisciplinary study offers a unique perspective on this exceptional commission, identifying for the first time the origin and history of the paintings, until now shrouded in mystery, the paintings themselves scattered around the Netherlands. The recent restoration of the paintings provided the opportunity to conduct a 'forensic' technical investigation, which the author integrates with archival, historical, stylistic and cultural historical research. This integrated approach allows her to identify the painting's origin and the client: a wealthy, strict Calvinist widow from Utrecht who commissioned them over time, choosing themes which reflected her stance in the political and religious conflicts played out in her community.
600 10 $aBol, Ferdinand,$d1616?-1680?$xCriticism and interpretation.
650 0 $aArt patronage$zNetherlands$zUtrecht$xHistory$y17th century.
650 0 $aArt$xPolitical aspects$zNetherlands$xHistory$y17th century.
700 1 $aBol, Ferdinand,$d1616?-1680?
830 0 $aAmsterdam studies in the Dutch golden age.
988 $a20120402
049 $aHFLA
906 $0OCLC