| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:175867730:1174 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01174cam a2200337Ia 4500
001 013148128-2
005 20130920185745.0
008 111125s2011 fi ag mb 001 0 eng d
020 $a9789525431322 (pbk.)
020 $a9525431320 (pbk.)
035 0 $aocn764334550
040 $aOHX$cOHX$dNOC$dCDX
050 4 $aML3838$b.P28 2011
072 7 $aML$2lcco
100 1 $aPareyón, Gabriel,$d1974-
245 10 $aOn musical self-similarity :$bintersemiosis as synecdoche and analogy /$cGabriel Pareyon.
260 $aImatra :$bInternational Semiotics Institute ;$a[Helsinki] :$bSemiotic Society of Finland,$c2011.
300 $axii, 552 p. :$bill., music ;$c26 cm.
490 1 $aActa semiotica Fennica,$x1235-497X ;$v39
490 1 $aApproaches to musical semiotics,$x1458-4921 ;$v13
500 $aDissertation.
504 $aIncludes bibliographical references and index.
650 0 $aMusic$xSemiotics.
650 0 $aMusic$xPhilosophy and aesthetics.
650 0 $aReference (Philosophy)
830 0 $aApproaches to musical semiotics ;$v13.
830 0 $aActa semiotica Fennica ;$v39.
899 $a415_565358
988 $a20120406
049 $aHMUU
906 $0OCLC