MARC Record from harvard_bibliographic_metadata

LEADER: 02255cam a22003977a 4500
001 013158814-1
005 20120424182534.0
008 110101s2011 enka bc 000 0deng d
010 $a 2011535566
020 $a9781906072483
020 $a1906072485
020 $a9781098072483
020 $a1098072480
035 0 $aocn746317603
040 $aBRZ$beng$cBRZ$dDLC$dYDXCP$dVVP$dERASA$dUKTTE
042 $alccopycat
050 00 $aN7396.R46$bA4 2011
082 04 $a700.411.2
100 1 $aRhode, Robin.
245 10 $aRobin Rhode :$bvariants /$c[edited and coordinated by Honey Luard].
246 30 $aVariants
260 $aLondon :$bWhite Cube,$c2011.
300 $a163 p. :$bchiefly ill. (some col.) ;$c26 cm.
500 $aTitle from spine.
500 $aCatalog of an exhibition held at White Cube Hoxton Square, London, June 8-July 9, 2011.
500 $aIncludes contribution by Skye Sherwin.
504 $aIncludes bibliographical references (p. 162-163).
520 8 $aFor his second exhibition at White Cube, Rhode presented five animations that take the chair designs of Dutch furniture designer and architect Gerrit Rietveld as a starting point. A member of the De Stijl movement, Rietveld aspired to bring high design to the masses. A precursor to the 'flat pack' furniture style now prevalent, Rietveld's designs 'advocated pure abstraction and universality by a reduction to the essentials of form and colour'. In the work 'Piano Chair', the chair acts alongside Rhode's doppelganger as an accomplice to a crime - in this case the annihilation of a piano. Expanding upon a scene created by Rhode for 'Pictures Reframed' (a collaboration with the composer Leif Ove Andsnes), 'Piano Chair' presents the unusual scenario wherein a composer tries to 'kill' his piano. In the original work, the composer succeeds in drowning his piano by taking it out to sea, and here the protagonist persists with his futile, self-destructive pursuit by attacking the piano.0Exhibition: White Cube Gallery, London.
600 10 $aRhode, Robin$vExhibitions.
600 14 $aRhode, Robin,$d1976-
700 1 $aLuard, Honey.
700 1 $aSherwin, Skye.
710 2 $aWhite Cube (Gallery)
899 $a415_565634
988 $a20120420
906 $0OCLC