MARC Record from harvard_bibliographic_metadata

LEADER: 01876cam a2200325 i 4500
001 013172844-X
005 20120615125435.0
008 101119t20112011vtua b 001 0 eng
010 $a 2010048103
020 $a9780754676553 (hardback : alk. paper)
035 0 $aocn683247760
040 $aDLC$beng$cDLC$erda
042 $apcc
050 00 $aN4395$b.O93 2011
082 00 $a707.4$222
100 1 $aOudsten, Frank den.
245 10 $aspace.time.narrative :$bthe exhibition as post-spectacular stage /$cFrank den Oudsten.
246 3 $aspacetimenarrative
260 $aBurlington :$bAshgate Publishing Company,$c[2011], ©2011.
300 $axxii, 490 pages :$billustrations (some color) ;$c22 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (pages 461-467) and index.
505 0 $aMachine generated contents note: Essay 1 The Battery -- 1.1.The Renaissance Of Narrative Space -- 1.2.The Paradox Of Scenography -- 1.3.The Interval Of The Open Arts -- 1.4.The Blink Of An Eye -- 1.5.Space, Time And Narrative -- 1.6.The Dramaturgical Hinge -- 1.7.The Camera Lucida Of Savage Thought -- Picture-Essay 1 Parallax -- Interviews: Dark Matter -- Introduction -- Interview with Herman Kossmann and Mark de Jong -- Interview with Dinah Casson and Roger Mann -- Interview with Francois Confino -- Interview with Ruedi Baur -- Interview with Barbara Holzer and Tristan Kobler -- Interview with Uwe R. Bruckner -- Picture-essay 2 Afterimage -- Essay 2 The Envelope -- 2.1.A Space Full Of Time -- 2.2.Reframing Scenography -- 2.3.Media Hot And Cold -- 2.4.The Architecture Of Everything -- 2.5.A Northwest Passage.
650 0 $aArt$xExhibition techniques$xSocial aspects.
650 0 $aExhibitions$xSocial aspects.
899 $a415_565947
988 $a20120501
906 $0DLC