| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:2119615:1394 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01394nam a22003138a 4500
001 013001768-X
005 20120118185302.0
008 110804s2011 vtu b 001 0 eng
010 $a 2011030107
020 $a9781409435457 (hardcover : alk. paper)
020 $a9781409435464 (ebook)
035 0 $aocn772960905
040 $aDLC$cDLC
050 00 $aPR3072$b.M46 2011
082 00 $a822.3/3$223
100 1 $aMinear, Erin.
245 10 $aReverberating song in Shakespeare and Milton - language, memory, and musical representation /$cby Erin Minear.
260 $aBurlington, VT :$bAshgate,$cc2011.
300 $a287 p. ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aCreeping music: sounds, surfaces, and spheres in The merchant of Venice -- We have nonesuch: the haunting melody -- Respeaking earthly thunder: Hamlet's sonic phantoms -- Playing music: Twelfth night and The tempest -- Warbling fancies: Milton, Shakespeare, and the imagining of music -- Serpit agens: the song of the blest siren -- Minims of nature: describing music in Paradise lost.
600 10 $aShakespeare, William,$d1564-1616$xLanguage.
600 10 $aMilton, John,$d1608-1674$xLanguage.
650 0 $aMusic in literature.
650 0 $aMemory in literature.
650 0 $aEnglish language$yEarly modern, 1500-1700.
899 $a415_565471
988 $a20111214
906 $0DLC