It looks like you're offline.
Open Library logo
additional options menu

MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:212374576:4521
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:212374576:4521?format=raw

LEADER: 04521cam a2200397Ia 4500
001 013178533-8
005 20120531173136.0
008 111018s2012 enkag b 001 0 eng d
015 $aGBB1C3840$2bnb
016 7 $a015955560$2Uk
020 $a9780521896115 (hbk.)
020 $a0521896118 (hbk.)
035 0 $aocn758983133
040 $aUKMGB$cUKMGB$dERASA$dYDXCP$dBWX$dOKU$dXBM$dBOS$dGUA$dCDX
050 00 $aML457$b.C35 2012
082 04 $a780.9$223
090 $aML457$b.C35 2012
245 04 $aThe Cambridge history of musical performance /$cColin Lawson and Robin Stowell.
246 30 $aHistory of musical performance
260 $aCambridge :$bCambridge University Press,$c2012.
300 $axxvi, 906 p. :$bill., music ;$c23 cm.
504 $aIncludes bibliographical references (p. 834-893) and index.
505 00 $tPerformance today /$rNicholas Kenyon --$tPolitical process, social structure, and musical performance in Europe since 1450 /$rWilliam Weber --$tThe evidence /$rRobin Stowell --$tThe performer and the composer /$rCorey Jamason --$tThe teaching of performance /$rNatasha Loges and Colin Lawson --$tMusic and musical performance : histories in disjunction? /$rDavid Wright --$tThe ancient world /$rEleonora Rocconi --$tPerformance before c. 1430 : an overview /$rJohn Haines --$tVocal performance before c. 1430 /$rJeremy Summerly --$tInstrumental performance before c. 1430 /$rStefano Mengozzi --$tCase study : Guillaume de Machaut, ballade 34, Quant Theseus/Ne quier veoir /$rJohn Haines --$tPerformance in the Renaissance : an overview /$rJon Banks --$tVocal performance in the Renaissance /$rTimothy J. McGee --$tInstrumental performance in the Renaissance /$rKeith Polk --$tCase study : Seville Cathedral's music in performance, 1549-1599 /$rOwen Rees --
505 00 $tPerformance in the seventeenth century : an overview /$rTim Carter --$tVocal performance in the seventeenth century /$rRichard Wistreich --$tInstrumental performance in the seventeenth century /$rDavid Ponsford --$tCase study : Monteverdi, Vespers (1610) /$rJonathan P. Wainwright --$tPerformance in the "long eighteenth century" : an overview /$rSimon McVeigh --$tVocal performance in the "long eighteenth century" /$rJohn Potter --$tInstrumental performance in the "long eighteenth century" /$rPeter Walls --$tCase study : Mozart, Symphonies in E flat major K543, G minor K550, and C major K551 /$rColin Lawson --$tPerformance in the nineteenth century : an overview /$rMichael Musgrave --$tVocal performance in the nineteenth century /$rWill Crutchfield --$tInstrumental performance in the nineteenth century /$rIan Pace --$tCase study : Richard Wagner, Tristan und Isolde /$rRobin Stowell --$tMusical performance in the twentieth century and beyond : an overview /
505 00 $rStephen Cottrell --$tVocal performance in the twentieth century and beyond /$rJane Manning and Anthony Payne --$tInstrumental performance in the twentieth century and beyond /$rRoger Heaton --$tCase study : Karlheinz Stockhausen, Gruppen für drei Orchester /$rWilliam Mival --$tThe future? /$rColin Lawson and Robin Stowell.
520 $aThe intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorization, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, the History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today [Publisher description].
650 0 $aMusic$xPerformance$xHistory.
655 7 $aHistory.$2fast
700 1 $aLawson, Colin$q(Colin James)$4edt$4ctb
700 1 $aStowell, Robin.$4edt$4ctb
700 1 $aLawson, Colin$q(Colin James)
700 1 $aStowell, Robin.
899 $a415_565069
988 $a20120508
049 $aHMUU
906 $0OCLC