MARC Record from harvard_bibliographic_metadata

LEADER: 02931pam a2200361Ma 4500
001 013021811-1
005 20120125105854.0
008 110805s2012 stka bq 001 0 eng d
015 $aGBB194223$2bnb
020 $a9780748640782 (hbk.)
020 $a0748640789 (hbk.)
035 0 $aocn773366070
040 $aNLE$cNLE
043 $ae-uk---
050 4 $aPN1993.5.G7$bH37 2012
082 04 $a791.43094109047$223
090 $aPN1993.5.G7$bH37 2012
100 1 $aHarper, Sue.
245 10 $aBritish film culture in the 1970s :$bthe boundaries of pleasure /$cSue Harper and Justin Smith ; with Dave Allen ... [et al.].
260 $aEdinburgh :$bEdinburgh University Press,$cc2012.
300 $ax, 326 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [285]-301), filmography (p. [302]-313) and index.
505 0 $aGovernment aid and film legislation: 'An elastoplast to stop a haemorrhage' / Sian Barber -- British film censorship and the BBFC in the 1970s / Sian Barber -- Moving images and the visual arts in 1970s Britain / Dave Allen -- British film design in the 1970s / Laurie N. Ede -- Film education during the 1970s / Vincent Porter -- 'Picking up the tab' for the whole black community?: industrial, social and institutional challenges as exemplified in Babylon / Sally Shaw -- 1970s television: a self-conscious decade / Laurel Forster -- British graffiti: popular music and film in the 1970s / Dave Allen -- Key players; Boundaries and taboos; Technology and visual style; Social space; Cross-over; Audiences and reception / Sue Harper and Justin Smith.
520 $a"This volume draws a map of British film culture in the 1970s and provides a wide-ranging history of the period. It examines the cross-cultural relationship between British cinema and other media, including popular music and television. The analysis covers mainstream and experimental film cultures, identifying their production contexts and the economic, legislative and censorship constraints on British cinema throughout the decade. The essays in Part I contextualise the study and illustrate the diversity of 1970s moving image culture. In Part II, Sue Harper and Justin Smith examine how gender relations and social space were addressed in film. They show how a shared visual manner and performance style characterises this fragmented cinema, and how irony and anxiety suffuse the whole film culture. This volume charts the shifting boundaries of permission in 1970s film culture and changes in audience taste." -- Publisher's description.
650 0 $aMotion pictures$zGreat Britain$xHistory$y20th century.
650 0 $aMotion pictures$zGreat Britain$xPlots, themes, etc.
650 0 $aMotion picture industry$zGreat Britain$xHistory$y20th century.
650 0 $aNineteen seventies.
655 7 $aHistory.$2fast
700 1 $aSmith, Justin T.
899 $a415_565343
988 $a20111230
906 $0OCLC