| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:282441857:1795 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01795cam a2200385 a 4500
001 013243573-X
005 20120717095616.0
008 120321s2012 enkag b 001 0 eng
010 $a 2012011344
015 $aGBB1D9103$2bnb
016 7 $a015985958$2Uk
020 $a9780230354166 (hbk.)
020 $a0230354165 (hbk.)
035 0 $aocn781848502
040 $aDLC$beng$cDLC$dYDX$dYDXCP$dUKMGB$dERASA$dBTCTA$dYNK
042 $apcc
043 $aa------
050 00 $aPN2039$b.T36 2012
082 00 $a792.01$223
100 1 $aTan, Marcus Cheng Chye.
245 10 $aAcoustic interculturalism :$blistening to performance /$cMarcus Cheng Chye Tan.
260 $aHoundmills, Basingstoke, Hampshire ;$aNew York :$bPalgrave Macmillan,$c2012.
300 $axii, 259 p. :$bill., music ;$c23 cm.
490 1 $aStudies in international performance
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: the intercultural topography and an acoustic interculturalism -- The performativity of sound and the soundscapes of culture -- Acoustic mimesis: ethical cadence and sonic violence in Tambours Sur La Digue -- (Echo)locating other-Shakespeares: an aesthetics of pop & the ear of the other -- Listening in/to Asia: Ong Keng Sen's Desdemona and the polyphonies of Asia -- "If music be the food of love": "fourth world" universals in Ong Keng Sen's Awaking -- Conclusion: after authenticity: naming the intercultural.
650 0 $aIntercultural communication in the performing arts.
650 0 $aSounds$xAnthropological aspects.
650 0 $aMusic in the theater.
650 0 $aMusic$xSocial aspects.
650 0 $aPerforming arts$zAsia.
830 0 $aStudies in international performance.
899 $a415_565322
988 $a20120620
906 $0DLC