| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:337513692:1532 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01532cam a22003858a 4500
001 013298199-8
005 20140314185733.0
008 120210s2012 vtu b 001 0deng
010 $a 2012006246
020 $a9780754668442 (v. 1 : hardcover : alk. paper)
020 $a9780754668459 (v. 2 : hardcover : alk. paper)
035 0 $aocn865205949
035 0 $aocn777251306
040 $aDLC$cDLC
042 $apcc
050 00 $aMT6$b.T46 2012
082 00 $a780.1/48$223
245 00 $aThomas Salmon :$bwritings on music /$c[editorial noes by] Benjamin Wardhaugh.
260 $aBurlington, VT :$bAshgate,$cc2012.
300 $a2 v. ;$c25 cm.
490 0 $aMusic theory in Britain, 1500-1700. Critical editions
504 $aIncludes bibliographical references and index.
505 0 $aVolume I. An essay to the advancement of musick and the ensuing controversy, 1672-3 -- Volume II. A proposal to perform musick and related writings, 1685-1706.
650 0 $aMusic theory$vEarly works to 1800.
600 10 $aSalmon, Thomas,$d1648-1706$xCriticism and interpretation.
600 10 $aLocke, Matthew,$d1621 or 1622-1677$xCriticism and interpretation.
650 0 $aMusical intervals and scales$xEarly works to 1800.
650 0 $aMusical notation$xEarly works to 1800.
650 0 $aMusical temperament$xEarly works to 1800.
700 1 $aWardhaugh, Benjamin,$d1979-
700 1 $aSalmon, Thomas,$d1648-1706.
700 1 $aLocke, Matthew,$d1621 or 1622-1677.
899 $a415_565350
988 $a20120716
906 $0DLC