MARC Record from harvard_bibliographic_metadata

LEADER: 02800cam a2200385Ma 4500
001 013306384-4
005 20120803190912.0
008 120612s2012 mx af 001 0 spa d
020 $a9789686623857
020 $a968662385X
035 0 $aocn800017657
040 $aCVcHKB$beng$cPUL
041 0 $aspa$aeng
050 14 $aN6659.N475$bA4 2012
100 1 $aNeto, Ernesto,$d1964-
245 13 $aLa lengua de Ernesto =$bErnesto's tongue : Ernesto Neto : Obras = Works 1987-2011 /$c[textos = texts: Adriano Pedrosa, Jessica Morgan, Miguel López].
246 31 $aErnesto's tongue
246 31 $aErnesto Neto :$bObras 1987-2011.
246 31 $aErnesto Neto :$bWorks 1987-2011.
260 $aMonterrey, Mexico :$bMuseo de Arte Contemporáneo de Monterrey,$c2012.
300 $a398 p. :$bill. (chiefly col.) ;$c30 cm.
500 $aPublished on the occasion of an exhibition "La lengua de Ernesto. Retrospectiva 1987-2011" held December 9, 2011 - April 1st, 2012 at the MARCO, Monterrey, México.
504 $aIncludes bibliographical references (p.325-375).
520 8 $aErnesto Neto (b. Rio de Janeiro 1964) is one of the most important proponents of the Neo-Concrete movement, an art trend that started in Brazil in the 1950's. The exhibition "Ernesto's Toungue" was a retrospective comprising a selection of sculptures and installations created by artist Ernesto Neto in the last 24 years. The exhibition, described as a playground with sensorial and interactive possibilities includes drawings, sculptures, photographs and his small and monumental abstract installations that invited the visitor to smell, feel, touch, listen and use them and where the main elements and materials used in his works are the elasticity of the fabrics, the force of gravity, spices and polythene foam. The present book published on the occasion of the exhibition "gathers and organizes works and images in order to begin to envision a wider panoramic view of Ernesto's oeuvre. For this publication we selected in close dialogue with the artist the most significant exhibitions and projects since 1968, thus encompassing 25 years of production (...) we documented all of Ernesto Neto's individual exhibition catalogues, reproducing them in the book. The codifying and cataloguing drives led us to organize the book in a strictly chronological manner, privileging exhibitions over individual works"--P. [9].
546 $aSpanish and English.
600 10 $aNeto, Ernesto,$d1964-$vExhibitions.
600 10 $aNeto, Ernesto,$d1964-$vCatalogs.
650 0 $aInstallations (Art)$zBrazil$vExhibitions.
700 1 $aPedrosa, Adriano.
700 1 $aMorgan, Jessica.
700 1 $aLópez, Miguel.
710 2 $aMuseo de Arte Contemporáneo de Monterrey.
899 $a415_565082
988 $a20120717
906 $0OCLC