| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:352042983:1862 |
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LEADER: 01862cam a2200397 i 4500
001 013310331-5
005 20120919143610.0
008 120125s2012 nyu b 001 0 eng c
010 $a 2012003628
020 $a9780773426115 (hardcover)
020 $a0773426116 (hardcover)
035 0 $aocn774492387
040 $aICU/DLC$beng$erda$cICU
042 $apcc
043 $ae-ur---
050 00 $aML3917.R8$bH47 2012
082 00 $a780.947/0904$223
100 1 $aHerrala, Meri E.$q(Meri Elisabet),$d1971-$eauthor.
245 14 $aThe struggle for control of Soviet music from 1932 to 1948 :$bsocialist realism vs. Western formalism /$cMeri E. Herrala ; with a foreword by Timo Vihavainen.
264 1 $aLewiston :$bThe Edwin Mellen Press,$c[2012]
300 $aix, 668 pages ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (pages 609-643) and index.
505 0 $aThe development of Soviet cultural policy -- The creation of Soviet opera in the 1930s -- Discussions in the Soviet music during 1936 and 1937 -- Anti-formalist campaign in 1946-1948 -- Elite hierarchies and entrenched conflicts of interest are revealed within the Union of Soviet Composers -- Boris Asaf'yev's impact on the party line of Soviet music in 1948 -- Sergey Prokofiev's response to the Resolution -- Frol Skobeyev and All One's Heart.
650 0 $aMusic and state$zSoviet Union.
650 0 $aMusic$xPolitical aspects$zSoviet Union.
650 0 $aMusic$zSoviet Union$xHistory and criticism.
650 0 $aOpera$zSoviet Union.
650 0 $aSocialist realism in music.
650 0 $aCommunism and music$zSoviet Union.
651 0 $aSoviet Union$xCultural policy.
700 1 $aVihavainen, Timo,$ewriter of added commentary.
988 $a20120723
906 $0OCLC